Hi Christopher,
Thanks for sharing this. I did go through and it’s quite interesting to see different viewpoints.
i strongly feel that the whole issue is just with the Quick Time codec and no matter where, as long as the QT codec exists, the problem is bound to happen. So it is best to avoid QT for both QT player as well as QT codec based Safari browser for playback.
For instance the VLC player shower more or less original color while used for playback post export.
It is quite unfortunate to see that Apple is contradicting their own work flow software, leading to unnecessary nightmare for some who are unaware of this QT Gamma Shift.
And also, I need another suggestion from you guys here..
I have approx. 70GB Apple ProRes 422 HQ master export of my film from FCP 7. I need to deliver the same film in Apple ProRes 422 LT since I am having to upload this online on DropBox for a film festival. Could anyone please suggest me the right way to convert from ProRes 422 HQ to ProRes 422 LT ?
Should I do it on FCP 7 or is it better to take to HQ exported Master Film on compressor and do it.
My original media rushes files are Apple ProRes 422 HQ….
Please also let me know the work-flow if possible.
Thanks,
Samar