Rohit Gupta
Forum Replies Created
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The Accusys drives are pretty good. I think there is a model recommended in the Resolve configuration guide.
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The 470 and 570 are both 2 x 6-pin.
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Please check the drives you’ve configured in the Preferences.
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I ran my tests on the 2010 Mac Pro (12-core).
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Changing the media pool settings only affect the input side of things. The output is controlled by the setting on the render dialog.
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https://www.blackmagic-design.com/products/decklink4k/techspecs/
PCI Express 8 lane, compatible with 8 and 16 lane PCIe slots.
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There is an easy workaround for this color trace issue. Basically in the new project uses R3D, switch your time to local grades using “Batch Copy/Batch Unlink”. Now when you color trace, it will copy the grades to the local version, and hence it should work as you expect.
Remember that your grades are now scored with local timeline, so if you want to transfer your grades to a new timeline, you can’t rely on the source file re-link provided by the Master Session, so you will have to use Colortrace.
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Unfortunately, they are not writing the codec name properly. I suspect it’s some sort of uncompressed codec, and from your description of the problem, I suspect it’s uncompressed YUV.
Resolve (and FCP) interprets this as video-range data, and that’s why the Auto setting treats it as such. If you want to override the behavior, you just select all the clips in the Media Pool, and force the levels to full-range.
Hopefully this fixes the problem for you!
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You can try setting the levels to “Unscaled full range” in the media pool, and see if it solves the problem.
Do you know which codec you are exporting to from Smoke?
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When that option is turned on, it will read the reel number from:
* FROM CLIP NAME:
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