Forum Replies Created
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Robin S. kurz
October 13, 2014 at 2:40 pm in reply to: 10.1.3 and synchronisation of audio / video clips[Julian Bowman] “they have hidden the option to do it behind a Channel Config button which you need to click SHOW, to see it.”
You realise of course, that if you have clicked it open ONCE, it will stay open?
[Julian Bowman] “Muppets.”
Mmh.
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Robin S. kurz
October 13, 2014 at 2:38 pm in reply to: Adding an extra Track to an existing MultiCam TimelineYes. Simply click the pop-up next to the angle name in the angle editor an select “Add Angle”.
After placing the new clip into the angle viewer you can also set the angle you want to sync the new angle to as your monitoring angle and then select “Sync to Monitoring Angle” to auto-sync.
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[Walter Soyka] “I’d say we have firm evidence that demonstrates how sarcasm is lost on me.”
Yepp. 🙂
Never mind that I consider myself a “senior editor”, just not that kind. I can differentiate.
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Robin S. kurz
October 13, 2014 at 10:59 am in reply to: And the first major Hollywood feature to be edited in FCPX and released is…[Walter Soyka] “I’m surprised that you are happy with the speed of CINEWARE”
I never said or meant that I was. I was merely saying that I can see the advantages and allure of CW more than that of DL. My personal experiences with DL have been anything but “nice”. But then I haven’t used it in the most recent incarnation, so it may well have gotten to a point where even I would consider it. I’ll have to check, should the need actually come up again. But I’ve opted to do the vast majority of things that I need in terms of motion graphics and general visual effects in Motion in the last years, for speed reasons alone.
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Sarcasm is not your strong suit, mh? 😀
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[Craig Alan] “The latest version of FC is able to read the P2 cards without transcoding first”
I don’t see how you could be “leaving in place” when coming from a camera, card or archive, since that option is or at least SHOULD be greyed out for imho obvious reasons. You obviously don’t want to be (and again, shouldn’t be able to) working of the card itself. And yes, Jeremy is right, that FCP will rewrap and therefore first have to copy the media somewhere either way. So a few things aren’t making sense.
And if the directory of the files isn’t in fact changing between restarts of FCP, then I don’t understand why the files should be going offline either, no.
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[Charlie Austin] “Anything “moved to trash” goes into a trash folder in the Library package. It stay there (available if you hit undo) until you close the project. “
Though I admit that they clearly have made some big changes to how this works that I hadn’t even noticed yet (hence my above claim which in fact used to be the case), I’m not seeing any such “Trash folder” or any of the other behaviour you describe. In fact after trying this and that I can’t even seem to figure out what it IS in fact doing and when. Nothing I delete is in actually disappearing from within my library. Restart or not. Which doesn’t strike me as the right behaviour in any case. Even deleting the master clip in the event isn’t met with a dialog box, nor is the clip in the project being subsequently deleted either as it used to. Match framing the clip in the project makes the clip reappear in the event and other oddities. Hmmm… I’ll have to investigate… my curiosity is peaked.
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Robin S. kurz
October 13, 2014 at 5:19 am in reply to: And the first major Hollywood feature to be edited in FCPX and released is…[David Howard] “The link dont work.”
It will, only fcp.co seems to be down at the moment. Simply wait a bit and try again.
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[Bob Woodhead] “I’ve always wished that NLE devs would use Quantel’s term; “CRF” – Cutting Room Floor.”
Only that that would be factually incorrect in context and not the least be useful. I find it far more helpful to point to the fact that, if needed, you still have the option to restore deleted files from said trash, as opposed to some meaningless abbreviation/metaphor.
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It’s literal. Meaning the FINDER trash.
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