Thanks, Tero. I wonder what you mean by “rough”?
Lack of backwards compatibility is one of the issues I dislike about Pr CC, but I think it applies to all NLEs.
Most camera formats I can transfer to ProRes. I don’t need to buy new cameras so often either.
Newer Pr CC can’t handle older tape formats, either. I have a fair amount of tape.
I keep a legacy computer running legacy software to deal with my older projects.
I guess the ultimate format these days is DCP.
No arguments at all, just sharing.
I started out shooting and editing celluloid. Technology changed over a hundred years but not so fast you had to change your tools every year ☺
Best,
Robert
Robert Withers
Independent/personal/avant-garde cinema, New York City