Forum Replies Created

Page 11 of 47
  • Robert Houllahan

    June 11, 2012 at 7:52 pm in reply to: Ikegami TM20-17R setup

    Really you should use the SDI input but if you don’t have any way to do that Component is ok, sort of. Like what JPo said this is hardly scientific by today’s (or the 90’s even) standards. Setting the PLUGE gets you somewhat close in 601 but noting critical. I actually have one of those Ike monitors and it is not even a Grade-1 CRT it is more of a CRT to go with an Avid or similar. It was not a bad mid grade CRT fifteen years ago but not so great today.

    And this thread should probably be in the basics and Config forum not here….;-)

    -Rob=

    Robert Houllahan
    Director / Colorist
    Cinelab Inc.
    http://www.cinelab.com

    MAHC-PRO 6-Core 3X GTX285 20Tb SAS Wave Panel Panny 11UK SDI Plasma. Light-Space CMS + Hubble

  • Robert Houllahan

    June 11, 2012 at 7:46 pm in reply to: WWDC 2012: No New Mac Pro

    Wow super lame from Snapple iThing pad phone tvo Co. Maybe we should run Resolve on the cloud from out iPhone.

    -Rob-

    Robert Houllahan
    Director / Colorist
    Cinelab Inc.
    http://www.cinelab.com

    MAHC-PRO 6-Core 3X GTX285 20Tb SAS Wave Panel Panny 11UK SDI Plasma. Light-Space CMS + Hubble

  • Robert Houllahan

    June 10, 2012 at 11:30 pm in reply to: Ikegami TM20-17R setup

    Yeah that is part of using the color bars to set it up by eye the “old fashioned” way. Basically the Test pattern has colors and patches of black and white so you can set color balance and contrast.

    -Rob-

    Robert Houllahan
    Director / Colorist
    Cinelab Inc.
    http://www.cinelab.com

    MAHC-PRO 6-Core 3X GTX285 20Tb SAS Wave Panel Panny 11UK SDI Plasma. Light-Space CMS + Hubble

  • Robert Houllahan

    June 10, 2012 at 2:30 pm in reply to: Ikegami TM20-17R setup

    Probably the best thing you can do is to send a set of color bars to the monitor through the computer and adjust the monitor controls so that the color bars are right. Unless you have a probe and software to calibrate it (to REC 601) that is about all you can do.

    Just be aware that if you are trying to grade a HD (REC709) show the monitor will be in a different color space.

    -Rob-

    Robert Houllahan
    Director / Colorist
    Cinelab Inc.
    http://www.cinelab.com

    MAHC-PRO 6-Core 3X GTX285 20Tb SAS Wave Panel Panny 11UK SDI Plasma. Light-Space CMS + Hubble

  • Robert Houllahan

    June 10, 2012 at 6:30 am in reply to: Ikegami TM20-17R setup

    That is a Standard Def SDI CRT are you going to feed it SD SDI and down convert?

    -Rob-

    Robert Houllahan
    Director / Colorist
    Cinelab Inc.
    http://www.cinelab.com

    MAHC-PRO 6-Core 3X GTX285 20Tb SAS Wave Panel Panny 11UK SDI Plasma. Light-Space CMS + Hubble

  • I would second the Dream-Color and a HD-Link Display port as a bare bones least expensive “real” calibrated display. You can use the HP software an probe to get it close in 709 and then think about the new Light-Space for calibration only or Cal-Man “DI” or “Post” and a newer X-Rite probe as a next step.

    -Rob-

    Robert Houllahan
    Director / Colorist
    Cinelab Inc.
    http://www.cinelab.com

    MAHC-PRO 6-Core 3X GTX285 20Tb SAS Wave Panel Panny 11UK SDI Plasma. Light-Space CMS + Hubble

  • Robert Houllahan

    June 8, 2012 at 5:47 pm in reply to: CUDA GPU performance comparison

    Interesting how close the GTX-480 is to the 580 and I think you can pick them up on ebay for about $150 – $200 these days.

    -Rob-

    Robert Houllahan
    Director / Colorist
    Cinelab Inc.
    http://www.cinelab.com

    MAHC-PRO 6-Core 3X GTX285 20Tb SAS Wave Panel Panny 11UK SDI Plasma. Light-Space CMS + Hubble

  • Robert Houllahan

    June 7, 2012 at 8:29 pm in reply to: Snow Leopard on a MacBookPro 8.2

    I bought a 17″ MBP 8,3 in December and I just took the 750G Snow Leopard drive out of my old 15″ MBP and put it into my new 17″ because I did not want to run Lion on the machine. That worked fine, if you have a Mac-Pro or an older Intel mac you could get an external drive caddy and build a Snow Leopard drive with the older machine and then just install it into the new 8,2 computer.

    -Rob-

    Robert Houllahan
    Director / Colorist
    Cinelab Inc.
    http://www.cinelab.com

    MAHC-PRO 6-Core 3X GTX285 20Tb SAS Wave Panel Panny 11UK SDI Plasma. Light-Space CMS + Hubble

  • Robert Houllahan

    May 29, 2012 at 1:06 pm in reply to: Locking up your dongle

    I kind of assumed this was a question for someone who works as a DIT and has a Resolve machine on set. I would weld a lock box to the DIT cart with a USB hub in it.

    -Rob-

    Robert Houllahan
    Director / Colorist
    Cinelab Inc.
    http://www.cinelab.com

    MAHC-PRO 6-Core 3X GTX285 20Tb SAS Wave Panel Panny 11UK SDI Plasma. Light-Space CMS + Hubble

  • Robert Houllahan

    May 27, 2012 at 3:48 am in reply to: Grading suite lights

    So far I generally like Cine Fluorescents more than LED fixtures, unless you get a very expensive LED fixture the output will be spikey and off color. Art Adams recently did a very good review with pictures of the various LED fixtures available for Film and Video ( https://tinyurl.com/d395ufb ) I liked the look of the Mole Richardson best but it’s $4K or more.

    -Rob-

    Robert Houllahan
    Director / Colorist
    Cinelab Inc.
    http://www.cinelab.com

    MAHC-PRO 6-Core 3X GTX285 20Tb SAS Wave Panel Panny 11UK SDI Plasma.

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