[Rob Combs]

Hi Vince, thanks!

I’d mentioned my awareness of the ‘nesting method’ in my post. I was just wondering if there was a better way. It seems weird to me that an adjustment layer would have dominance over the moment of lower layers in the first place. I don’t think they work that way in “After Effects”.

The ‘nesting method’ is a problem for me because I typically do a bit of fine-tune tweaking before my final delivery and burrowing down into nest is a bit of an impediment as my adjustments are a bit blind at that level.

Rob

[Rob Combs]

You are very kind to test this John. Thank you so much! I’ve been so busy I haven’t had time to look deeper into this until today. I finally figured it out it seem there’s a button on the timeline that needs to but set to “on” in order to basically make a precomp of the source mulitcam video tracks (and I of course somehow had it set to “off”).

I’m attaching a jpg of the button so that if you or anyone in the future has this problem they might discover the solution here.

Thanks again my friend!
Rob

Solution:

Original Problem:

[Rob Combs]

I’m not sure if this is helpful to your situation but I found, yesterday, that my Lumetri Colors were switching on/off seemingly at random until I discovered that the two places it was happening were places where I had a title above it (actually it think it was happening in the space between two title segments above it) anyway, the only work around I found was to make an adjustment layer and place Lumetri Color effect in an adjustment layer directly above the clip I was wanting to effect. It’s an unbelievably frustrating BUG .

[Rob Combs]

I’m really starting to think that Adobe doesn’t listen to user Feature Requests. When was this suggested, 2014?