Robb Harriss
Forum Replies Created
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It’s probably worth going back to figure out where the error is happening, at least to figure out an offset. Look for frame code method flags. Make sure the time code method is consisten, drop, non-drop, whatever.
Non-linear: all the time and nothing but.
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you may have Linked Selection turned off and you’re doing ripple edits. The little boxes on the top right hand edge of the timeline display. The second one is for Linked Selection.
Non-linear: all the time and nothing but.
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Combustion? Bingo. It’s not at all bad, just the same as their distributed processing. How about using DropBox or Sugarsync to sync a directory to the two machines and link them over the internet? A free account should (used to anyway) accommodate 2 gigs worth of files? I’ve been using a shared DropBox directory to keep an entire FCS studio project in sync on two machines for a few months now.
Non-linear: all the time and nothing but.
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Odd, I ALWAYS use shift-L, ESPECIALLY when I want TO move a CLIP by NUDGING And I ALWAYS use shift-L when I MOVE a clip UP or DOWN a TRACK using OPT-up/down ARROW
Non-linear: all the time and nothing but.
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you need to set it in the project settings. You should be able to set it as long as you want. The default is usually 10 seconds.
Non-linear: all the time and nothing but.
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what’s the actual source? Is it DV footage? Do you actually want to work in a DV frame or are you inserting actual SD footage into an HD timeline? It was a little ambiguous in your wording.
Look at your audio frequencies.
Non-linear: all the time and nothing but.
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do it in Motion or AE or Combustion and bring it into FC
Non-linear: all the time and nothing but.
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I’ve got a couple of MacPros, and I still do a lot, with ProRes, on a two and half year old MacBook Pro and it works just fine. Put two more gigs of ram in yours, upgrade to Snow Leopard and FCS3 (are you running 2) and you’ll be a lot happier than you are now. Still a MacPro will be nice.
Non-linear: all the time and nothing but.
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Yes on the image sequence, I’ve done it for years. But I’d recommend Targa files, which are actually video files and work better in that color space. And have him work in progressive, no interlacing and let that happen when you drop it into your timeline. That usually eliminates some problems. Unless he really has to do field rendering, then make sure he’s using the same you are.
Non-linear: all the time and nothing but.
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First you can drop the “sync” audio from the cover shot into a different track. Or you can elect to record only the video, or only the audio for that matter, and drop them in separately. Once in the timeline you can unlink the audio from video with a command-L
Non-linear: all the time and nothing but.