Steve,
I think I will get CompressHD and turn QMaster off. $500 investment that is well worth it considering it’s rated speed and resolution support (amazing).
FYI, I’ve tried every possible combination of QMaster configuration and none of them work on my MacPro.
Others,
I highly doubt Apple will release an FCP 7.x update that turns it into a native 64bit SL anytime soon. Heck it took Apple 1 year to finally fix Logic Pro 8 so it was usable. LP9 will be at my door tomorrow so I can evaluate that.
My guess (and that’s all it is) is that Apple are simply applying logical financial business resource allocation to Pro Applications based on the sales of those Pro applications. Given the lack luster feature/upgrade set in FCS 3, I’ll assume that FCS sales just aren’t good enough to justify the resources. Limited resources equals limited enhancements. So it would seem the sales numbers just don’t justify the investment in a complete overhaul and native SL FCS.
Implications here are that unless Apple does take a “risk” with FCS (invest more resources and hope sales pick up), it’ll most likely fade away and iDVD will be it. But as has been pointed out, I don’t think Apple want to try to compete in the more series post production market.
From my perspective, the FCS 3 release is writing on the wall, just as killing off shake was some years ago — I’m sure most of us have transitioned to other products and use multiple products so it’s not like were out in the cold. The only part of this puzzle (in my head anyway) is why Apple bought Shake in the first place? Anyway, doesn’t really matter now.
Anyway, I’ll keep using FCS 3 if I can get that Matrox CompressHD card to work well. But I’ll also keep using other post production products such as Sony Vegas, Digital Performer, and Adobe and see where I ultimately spend most of my time.
I’m not really blaming Apple, as was pointed out, “it is what it is” and I’m sure there is a very valid reason how/why Apple took this path.
Rob.