Forum Replies Created

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  • Thanks for writing.

    Yes, we’re shooting at 24p, and keeping all of that the same. We have also tried the automatic gamma on/off.

    When compressor is working, it’s awesome. I hate to think it’s not working and go to another solution.

    BlueDot Productions
    https://www.bluedotproductions.org

  • Ri Stewart

    November 30, 2009 at 10:30 pm in reply to: Media Tool equivalent (to catch hidden ‘deleted’ files)

    I too have found these files, but my question is… Why are they there? I have my settings set to write the files to a different drive, and yet they often show up here.

    Very strange.

    BlueDot Productions
    https://www.bluedotproductions.org

  • Ri Stewart

    February 9, 2009 at 5:56 am in reply to: System Test

    Thanks for your brutal honesty.

    I thought it may be a cheaper solution for a low budget film maker like myself. I thought the bottle neck would be the card or the drive, not the port multiplier!

    Looking initially at a $3k raid, I had to figure out how to build one, and did so for under $1k. Once again, it appears we get what we pay for.

    Perhaps on the next project, eh?

    BlueDot Productions
    https://www.bluedotproductions.org

  • Ri Stewart

    February 8, 2009 at 8:57 pm in reply to: System Test

    Thanks for your assistance Bob.

    The Mac is a 2.8 8 Core. 6g ram
    The card is a Sonnet E4P.
    The enclosure is a Sansdigital TR8M.
    The drives are (2) sets of Western Digital 750gb/7200 rpm WD7500AAKS
    They are striped in Mac Disk Utility as a “striped raid”.

    Aja System Test (with 720p 10 bit/128mb)
    Array 1 w
    124.3/s Write
    126.7 mb/s Read

    Array 2
    102.9mb/s Write
    104.6 mb/s Read

    BlueDot Productions
    https://www.bluedotproductions.org

  • Ri Stewart

    November 21, 2008 at 7:12 am in reply to: 24p editing with HDMI

    Just 50, 59.4 and 60 are available in HDTV output.

  • Ri Stewart

    November 21, 2008 at 7:10 am in reply to: Q’s about Intensity Pro

    Yes, there is no 24p timeline for the BlackMagic Intensity Pro.

    It’s kind of a funny thing, as really… inputting via HDMI on anything shot to tape will have no better color space than the HDV codec. Why input with the BM card then, unless in a studio?

    I find I bring in my HDV, change it to Prores, and then edit. Prores in the timeline too, but there is no 24p output for the BM card.

    Damn, I just wish it’s outputs would work. That’s what I picked it up for, to send component to an HD TV. It showed up today, and none of the component outs are showing picture.

    I’m seriously thinking of returning it for the Kona LHe.

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