Rich Rubasch
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COW Coins
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Well I just opened Tilt Digital and we transfer old tape formats to digital formats among many other things. But we have a huge library of old agency spot reels and direct corporate reels. One of the clients has around 600 tapes from D2 and MII and 1″ to Digi Beta and 3/4″ and agreed to have us convert them all to quicktime movies for them…almost $20k of work, and that’s just one of the clients in the library.
Not saying it’s a gold mine because it is running time and in realtime and will eventually run out.
Here’s the site:
https://www.tiltdigitalinc.com
Rich Rubasch
Tilt Media Inc.
Video Production, Post, Studio Sound Stage
Founder/President/Editor/Designer/Animator
https://www.tiltmedia.com -
One of the Cable guys added voice recognition to its remote control…I think it is called Xfinity and the TV spot shows people holding the remote up to their mouth saying things like “record” or “go to channel…”
Coming soon?
Rich Rubasch
Tilt Media Inc.
Video Production, Post, Studio Sound Stage
Founder/President/Editor/Designer/Animator
https://www.tiltmedia.com -
They are cleaning out the garage.
Rich Rubasch
Tilt Media Inc.
Video Production, Post, Studio Sound Stage
Founder/President/Editor/Designer/Animator
https://www.tiltmedia.com -
This is a craft industry with a huge factor of service thrown in.
You have to be talented, sure, but you also have to be responsive.One thing the tools we have now provide (GPU processing, shoot and edit camera media without realtime capturing, advanced plugins for a myriad of effects) is a much faster pipeline in our workflows. So in skilled hands and a well thought out workflow (i.e. Bob Zelin) you can deliver great productions in less time. This takes into consideration that you are editing at the same speed, or in the case of Bill Davis, twice as fast as the rest of us. (couldn’t resist Bill…all in fun.)
The reason agencies work with us is that we put the entire production together and know where the challenges might be because of our experience. This means day of shoot everything has been thought out and we have contingencies in place. We have had 10 different soap dishes and 7 different trash cans because we weren’t sure exactly what the client might want. We know if two cameras are necessary (and how it will affect post schedules) and if one camera can work (again considering the post workflow). Audio and makeup are never overlooked.
Then we have our own creative minds to bring our own special something to a production that the client wasn’t expecting. Do they always work? Not always, but the fact that we thought of it and brought it to the production is usually recognized and applauded and might just be the thing that secures that next job.
I don’t view our jobs as projects with a budget and a timeline…they are each original creations with unique challenges that affect the many roles working on a production all the way thru post. Having that kind of experience with many different types of projects in the can allow us to estimate accurately, make money, and keep delivering on the promise of meeting the deadlines and expectations.
I promise you, an 8 year old cannot do all that.
Rich Rubasch
Tilt Media Inc.
Video Production, Post, Studio Sound Stage
Founder/President/Editor/Designer/Animator
https://www.tiltmedia.com -
We sometimes reduce the playback quality to 1/2 rez for smoother playback.
Rich Rubasch
Tilt Media Inc.
Video Production, Post, Studio Sound Stage
Founder/President/Editor/Designer/Animator
https://www.tiltmedia.com -
And the requirement for every exemption holder to be a pilot….this from the FAA:
Current statutes require that all aircraft operations in the National Airspace System (NAS) be conducted by pilots holding an appropriate airman certificate and for the typical operations conducted under Section 333 related grants of exemption, the FAA determined that they can be conducted safely by airman holding airline transport, commercial, private, recreational, or sport pilot certificates. The FAA cannot deviate from this statutory requirement. For more information, visit: https://www.faa.gov/licenses_certificates/airmen_certification/https://www.faa.gov/licenses_certificates/airmen_certification/
The sUAS NPRM proposes a new UAS operator certificate. Should the final rule (expected to be issued early Summer 2016) include this provision, it will provide another avenue for potential operators.
Rich Rubasch
Tilt Media Inc.
Video Production, Post, Studio Sound Stage
Founder/President/Editor/Designer/Animator
https://www.tiltmedia.com -
47% of all tickets were sold for the 3D version. Not sure about iMax. For me the best part about an iMax theater is the audio NOT the picture. I believe the iMax theaters have the best sound in all theaters I have been in, so if it is sound that I am after, I choose iMax. Odd, I know. Also the animated 3D features look pretty spectacular with all that peripheral vision taken up in the eye.
Rich Rubasch
Tilt Media Inc.
Video Production, Post, Studio Sound Stage
Founder/President/Editor/Designer/Animator
https://www.tiltmedia.com -
These only seem to work on 4k sequences. You could play with a framerate temp setting like 10fps for a 29.97 comp or 12fps for a 23.98fps comp. Do you have your comp settings to maintain resolution settings when nested? That might translate then a setting of 1/16 in AE to the same in Premier.
Rich Rubasch
Tilt Media Inc.
Video Production, Post, Studio Sound Stage
Founder/President/Editor/Designer/Animator
https://www.tiltmedia.com -
That was a fascinating video!
Rich Rubasch
Tilt Media Inc.
Video Production, Post, Studio Sound Stage
Founder/President/Editor/Designer/Animator
https://www.tiltmedia.com -
I’d love to see yours, Todd….do share.
Rich Rubasch
Tilt Media Inc.
Video Production, Post, Studio Sound Stage
Founder/President/Editor/Designer/Animator
https://www.tiltmedia.com