As a photgrapher I would rather have 90% of the frame exposed correctly and let the blown out 10% go, but this is hopefully intended for broadcast so I get real nervous when I see those 100% zebras. How hard and fast are the networks these days? On HBO’s Six Feet Under the opening title sequence was all white and bent the type it was so blown. Also the sound buzzed. But that was the worst I’ve ever seen.
For the sky is there any way to make (or buy) a grad filter that’s a screw in circular? Or are there only matte box grads?