Forum Replies Created
-
That’s a pretty basic piece. Just keyframing with a few particles and a lot of layers.
Pick up After Effects Apprentice… start there.
Richard M. Harrington, PMP
Author: From Still to Motion, Video Made on a Mac, Photoshop for Video, Understanding Adobe Photoshop, Final Cut Studio On the Spot and Motion Graphics with Adobe Creative Suite 5 Studio Techniques
-
I saw this at IBC. While on specs, it seems a match…. i was not that impressed with its build or quality.
Richard M. Harrington, PMP
Author: From Still to Motion, Video Made on a Mac, Photoshop for Video, Understanding Adobe Photoshop, Final Cut Studio On the Spot and Motion Graphics with Adobe Creative Suite 5 Studio Techniques
-
That’s an OS thing. Look up screen sharing
Richard M. Harrington, PMP
Author: From Still to Motion, Video Made on a Mac, Photoshop for Video, Understanding Adobe Photoshop, Final Cut Studio On the Spot and Motion Graphics with Adobe Creative Suite 5 Studio Techniques
-
F4V supports h264
FLV is ON2
Make sure you are using 2 pass VBR
You can also MANUALLY set the data rate to whatever you need to achieve size.
Richard M. Harrington, PMP
Author: From Still to Motion, Video Made on a Mac, Photoshop for Video, Understanding Adobe Photoshop, Final Cut Studio On the Spot and Motion Graphics with Adobe Creative Suite 5 Studio Techniques
-
You have to record frame by frame. This takes no less time as you have to make the same number of strokes. Just turn on shortcuts to use keyboard to advance one frame at a time,
Richard M. Harrington, PMP
Author: From Still to Motion, Video Made on a Mac, Photoshop for Video, Understanding Adobe Photoshop, Final Cut Studio On the Spot and Motion Graphics with Adobe Creative Suite 5 Studio Techniques
-
Why?
The video features on 7d are better, easier buttons and have HD monitoring.
The lowlight performance is only marginally better, and in fact I find it harder to shoot under daylight with the 5D and maintain depth of field without significant filtration.
Toss in the fact that we’re not that far away from a new 5D…. and IMHO you’re wasting money.
Why spend your wad on one piece of gear… when you’re going to need other things to complete the package.
Richard M. Harrington, PMP
Author: From Still to Motion, Video Made on a Mac, Photoshop for Video, Understanding Adobe Photoshop, Final Cut Studio On the Spot and Motion Graphics with Adobe Creative Suite 5 Studio Techniques
-
Go with 7D and put saved money into a few batteries and used lenses
Richard M. Harrington, PMP
Author: From Still to Motion, Video Made on a Mac, Photoshop for Video, Understanding Adobe Photoshop, Final Cut Studio On the Spot and Motion Graphics with Adobe Creative Suite 5 Studio Techniques
-
TIFF with layers exactly same as PSD feature for feature
Does allow compression on save
Easier to import into apps like FCP then return to PS to modifyRichard M. Harrington, PMP
Author: From Still to Motion, Video Made on a Mac, Photoshop for Video, Understanding Adobe Photoshop, Final Cut Studio On the Spot and Motion Graphics with Adobe Creative Suite 5 Studio Techniques
-
Photoshop extended does motion fine. But you should roto person on AE
Richard M. Harrington, PMP
Author: From Still to Motion, Video Made on a Mac, Photoshop for Video, Understanding Adobe Photoshop, Final Cut Studio On the Spot and Motion Graphics with Adobe Creative Suite 5 Studio Techniques
-
Use save for web command and choose PNG 24
Richard M. Harrington, PMP
Author: From Still to Motion, Video Made on a Mac, Photoshop for Video, Understanding Adobe Photoshop, Final Cut Studio On the Spot and Motion Graphics with Adobe Creative Suite 5 Studio Techniques