Wow, that is bizarre about the composite input. I did not even notice that. Imagine, Sony has an input on a deck that you can’t use, go figure? Must be a plug-in board somewhere that enables it (sarcasm)…The composite input likely is for SD DV-CAM. The deck seems to support that. Do you think I’m OK with the HVR-15U as a record deck via FW (DV-CAM) and capture to FCP in place of the DSR-1500a? It’s a cheaper rental and is the only reason for doing so.
The client is not requesting HD, yet… but they will. I was going to make this a trial run, but I think I’m better off sticking with what I know works and as you say “budget accordingly” when the time comes.
BTW, Do you have a recommendation for a 3 camera HD shoot with the kind of workflow I’ve outlined (Camera’s/Switcher/Deck)? The production switcher must be able to route to 3 separate scalable outputs – Live screen, local hi-res monitors (they receive GFX or video from different sources), and a record. For projection, I’m ok with with some mid-size Sanyo or Panasonic. 1280 would be fine.
Thank you so very much for your response.. I was away in the mountains this weekend and could not respond earlier..