Hi Rob & David,
it was a native capture – shot in DVCPROHD 1080i60 (FS&P2), edited in DVCPROHD 1080i60 (all non – DVCPROHD 1080i60 material coverted to DVCPROHD 1080i60 in Compressor).
The only reason for me to try to get the best possible Uncompressed 8 bit file is that the PBS station that will do the Spec Check and Close Caption work etc. asked for an 8 bit uncompressed file to work with.
And since I did not like 2 shots from my first conversion – DVCPROHD 1080i60 Final Cut Self-contained QT file through Compressor to an Uncompressed 8 bit file – I am now rebuilding the Original Timeline and will set the compressor in the sequence settings to Uncompressed 8 bit and export it as a Quicktime movie with the current settings.
I’m curious how this will look – especially regarding the 2 marginal shots.
BTW: I’m sure you all know this – but it surprised me quite a bit that a 30 min show conversion from DVCPROHD 1080i60 to 8 bit Uncompressed resulted in a 195 GIG file.
Thanks again
Ralf