[Pierre Jasmin]

Or https://library.creativecow.net/articles/freitag_lori/twixtor-overview/video-tutorial.php

second part from 5 minutes

Same tutorial exists on Lori’s page for Premiere

[Pierre Jasmin]

Or https://library.creativecow.net/articles/freitag_lori/twixtor-overview/video-tutorial.php

second part from 5 minutes

Same tutorial exists on Lori’s page for Premiere

[Pierre Jasmin]

You mean the sequence is too short?

https://revisionfx.com/support/faqs/generalfaqs/sequences_longer/#After%20Effects%20(Adobe)

[Pierre Jasmin]

You mean the sequence is too short?

https://revisionfx.com/support/faqs/generalfaqs/sequences_longer/#After%20Effects%20(Adobe)

[Pierre Jasmin]

Before you panick
In AE set the project preference to display in Frames
In Premiere, over the timeline on the left (where it displays timecode) – set the time display to Frames

Now at Frame N in each, are you on the same frame?

Pierre

[Pierre Jasmin]

Before you panick
In AE set the project preference to display in Frames
In Premiere, over the timeline on the left (where it displays timecode) – set the time display to Frames

Now at Frame N in each, are you on the same frame?

Pierre

[Pierre Jasmin]

New video tutorials for RE:Flex should happen sometimes this summer.

Seen this example that Wes from Automatic Duck did:
https://wes.plate.net/2009/12/goodbye-jump-cut/

Pierre

[Pierre Jasmin]

New video tutorials for RE:Flex should happen sometimes this summer.

Seen this example that Wes from Automatic Duck did:
https://wes.plate.net/2009/12/goodbye-jump-cut/

Pierre

[Pierre Jasmin]

I was thinking in your case you are better to work with alpha matted straight layers

however since I get details by bits for side-way run cycle to run cycle
to save you some work, you might consider to retime the old guy to the young guy first so the run cycle match first (same front leg with maximum extent for both – and hopefully they will have the same arm cycle when they run)

hopefully they are running over green screen on the same thread mill or something and with a locked-off camera

and maybe try to consolidate the the morph within a particular cycle and as a first pass just try to tidy the dissolve with RE:Flex

one idea is to split the morph top down in two using RE:Flex per shape morph and blend so for example if the morph works fine for left leg front but has issue with right arm front (the other cycle) then you can like that morph the leg on one half cycle and then the top on the other half cycle. It’s hard to know in advance but to be able to make a part of the morph happen real fast in part that don’t work well usually saves a lot of work.

Pierre

[Pierre Jasmin]

I was thinking in your case you are better to work with alpha matted straight layers

however since I get details by bits for side-way run cycle to run cycle
to save you some work, you might consider to retime the old guy to the young guy first so the run cycle match first (same front leg with maximum extent for both – and hopefully they will have the same arm cycle when they run)

hopefully they are running over green screen on the same thread mill or something and with a locked-off camera

and maybe try to consolidate the the morph within a particular cycle and as a first pass just try to tidy the dissolve with RE:Flex

one idea is to split the morph top down in two using RE:Flex per shape morph and blend so for example if the morph works fine for left leg front but has issue with right arm front (the other cycle) then you can like that morph the leg on one half cycle and then the top on the other half cycle. It’s hard to know in advance but to be able to make a part of the morph happen real fast in part that don’t work well usually saves a lot of work.

Pierre