Pierre Jasmin
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RE:Vision Effects Coins
Forum Replies Created
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Yes you often need to use both together.
What I personaly do usually is draw a few shapes, animate them at key-pix location to the corresponding location and then turn auto-align and see what happens. If there is some place that still has gnosting, this tells me where I should put the next shape(s).Pierre
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Yes you often need to use both together.
What I personaly do usually is draw a few shapes, animate them at key-pix location to the corresponding location and then turn auto-align and see what happens. If there is some place that still has gnosting, this tells me where I should put the next shape(s).Pierre
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The precomp in the examples in the sample projects is used to locate in time the stills so if when you animate the button to use Pix key-frame in RE:Flex Morph it is at the proper place in time. (eg still 1 at frame 1 and still 2 at frame 30 and still 3 at frame 35).
If the stills come from a sequential still capture rig you might also consider to perform this work with Twixtor using “Frame Number” parameter animation instead. Twixtor PRO and RE:Flex Morph with Auto-Align are similar except for how the material has to be prepared for the tool. For example it’s much more practical with RE:Flex to remove bad frames or animate photos (e.g. make them talk) from a small set of stills.
Pierre
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The precomp in the examples in the sample projects is used to locate in time the stills so if when you animate the button to use Pix key-frame in RE:Flex Morph it is at the proper place in time. (eg still 1 at frame 1 and still 2 at frame 30 and still 3 at frame 35).
If the stills come from a sequential still capture rig you might also consider to perform this work with Twixtor using “Frame Number” parameter animation instead. Twixtor PRO and RE:Flex Morph with Auto-Align are similar except for how the material has to be prepared for the tool. For example it’s much more practical with RE:Flex to remove bad frames or animate photos (e.g. make them talk) from a small set of stills.
Pierre
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If you have overlapping objects that move in different directions you need to have separate layers. It works best by layers.
here: either a new render without the background silver plate or you can actually since you have a vector pass just set as alpha in the motion vectors image something that does not have that element (just the two other objects).
https://help.revisionfx.com/task/21/#/tutorial-87
Pierre
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If you have overlapping objects that move in different directions you need to have separate layers. It works best by layers.
here: either a new render without the background silver plate or you can actually since you have a vector pass just set as alpha in the motion vectors image something that does not have that element (just the two other objects).
https://help.revisionfx.com/task/21/#/tutorial-87
Pierre
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Also you can also request that Apple supports writing key-framed parameters at time in their apps (in FxPlugs). This would help such process so you actually see what the program computes and “object” by deleting a keyframe for example…
there is already a few developer request including radar #8223125
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Also you can also request that Apple supports writing key-framed parameters at time in their apps (in FxPlugs). This would help such process so you actually see what the program computes and “object” by deleting a keyframe for example…
there is already a few developer request including radar #8223125
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You can use Cinema Tools to effectively changed the frame rate of the 50 FPS movie so it plays faster (60 FPS) and then account for that with Twixtor.
See this tutorial
https://library.creativecow.net/articles/freitag_lori/twixtor-fcp-frc.phpPierre
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You can use Cinema Tools to effectively changed the frame rate of the 50 FPS movie so it plays faster (60 FPS) and then account for that with Twixtor.
See this tutorial
https://library.creativecow.net/articles/freitag_lori/twixtor-fcp-frc.phpPierre