[Peter Von puttkamer]

Thanks

[Peter Von puttkamer]

SONY V1U

[Peter Von puttkamer]

Are too many old projets, cluttering up the drives; best to clear off drives each time?

[Peter Von puttkamer]

Ok thanks- that’s very good to know.

Peter

[Peter Von puttkamer]

PS one other question. Doing a 1080 23.98p timeline right now; incoporating 72059.94p footage- most slo-mo; should I be up-converting 720 to 1080p either in the machine, or through the KONA card before I import. Kona’s not really letting me do it, right now; but I thought it should make for a cleaner up-convert, than having FCP’s software do it.

thanks, much appreciated Rafael.

Peter

[Peter Von puttkamer]

Ok great, this answers my last question- that sounds like a great way to go!

Thanks Rafael.

Peter

[Peter Von puttkamer]

Thanks David. That’s great advice. Do you actually have any other software you use to De-frag?

Peter

[Peter Von puttkamer]

Ok thanks. Located in Vancouver BC. I hadn’t seen the 59.94 as an option; we just set general 50/60 output- then deck auto recognized 72060p; I guess my main concern, is do we have the option to put a piece of video shot at 72060p into a 23.98 timeline- but, running at regular speed. Or will it create a stutter or sped-up effect? Running through cinema tools, of course creates a perfect slo-mo effect.
But what if we decide not to use the slo-mo and we want to use the 72060p shot at normal speed?

Thanks again.

Peter

[Peter Von puttkamer]

Thanks for that…yes that makes sense. But I’m just wondering if there’s any options- should you not want Slo-mo, after the fact. That is some way to put the 72060p material into the 23.98 timeline, cleanly.

Peter

[Peter Von puttkamer]

Thanks for the reply. It’s shot at Panasonic’s 72060p. In the 1400 deck- the only output identified is
50/60 (output) there is no 59.97 out of the deck.

Peter