So, purely hypothetically, if you were working with a very large project (like a feature) that had hundreds of clips in offline resolution, you would have to re-import the entirety of all of those clips to online the parts you used in your edit? Is it possible to use subclips or something to get around the “import the whole clip” thing? Seems like this would be more of a problem as people go forward with shooting long form projects on P2 and 5D and the like. Thinking about it, obviously RED must use an AMA-transcode-online workflow as well.
I’m not challenging your answer, just wondering if there’s any workarounds that folks use or is it just have a ton of space and time for the online transcode?