[__peter__]

Hello 🙂

I have no solution, but at least I can confirm the error.
I only had it when working with HD Material.

Peter

[__peter__]

Thanks Uwe,

thats the solution. Strange enough, but I am glad it works now.

Thank You all again!

Peter

[__peter__]

The only thing I can imagine is, that I am running a German Windows-System and the English Premiere Pro (for some reasons about the editing card).

That means that most of the Standard Import Dialog-Box is German. Maybe thats why the additional checkbox isn’t there.

So still no solution for importing Sequences …

Any ideas anyone ?

Thanks!

Peter

[__peter__]

Thanks for Your reply, but …

that checkbox for numbered stills is simply nomore there in PremierePro 2.0
It was there all the years in PremPro 1 and 1.5 but no more.

Or has it changed it’s position in Layout ? I cannot see it …

Any more ideas ?

Thanks!

Peter

[__peter__]

Thanks! I guess that’s it 🙂

Peter

[__peter__]

Thanks for Your help.
At least I have new ideas to experiment with 🙂

Thanks again!

Peter

[__peter__]

This could be something …

But maybe I didn’t make it clear in my first posting:

I DO use the same clip in Premiere and Aftereffects. And that’s where the problem starts.

When I export an avi from Premiere as Uncompressed AVI it then ALSO works in Aftereffects.

So if I’ve got you right: Premiere is converting it to RGB as it was recorded in YUV.

So the big question is: Am I the only one that records dv clips and wants to use them in AE ? I guess not 🙂
So there is:
a) something I have to change while capturing
b) thousands of people have the same problem and do not notice it. I hope for a) 🙂

This clip was recorded via firewire with the standard premiere capture dialog. I don’t know where to change something about what color-range to capture with.

And the other thing: Isn’t YUV just a limitation in range of RGB ?

So my most important thing would be: How to capture right.

Any ideas ?

Thanks again !!!

Peter

[__peter__]

No, nothing. I did the footage only for this posting, to make the problem clear. So there is strictly nothing done to it, that could have bad influence to the result.

Just shot – captured and (as explained why) deinterlaced in Photoshop.

Thanks for Your help so far.

But still I have no idea where these artifacts come from …

Thanks for any further help!

Peter

[__peter__]

Thanks for Your reply.

But I am 100% aware of fields. And of course I usually interpret the footage, but I wanted the picture as “untouched” as possible to show here. The artifacts are even more than one line of pixels. Somehow its seems to be the chroma channel (which has lower resolution in dv) ALONE is wrong. So anyway, field interpretation is not the solution.

Any more ideas ?

Thanks

Peter

[__peter__]

Thanks for Your reply 🙂

I normally don’t interlace in photoshop. It’s just to make the samplepictures a littel easier to view. The footage is extreme fast panning and you don’t see the problem areas that good when not deinterlaced.

I tried all combinations of field-order. No difference. And again: Everything is fine with a uncompressed AVI from Premiere.

Some more ideas someone, please ?

Peter 🙂