Pepijn Klijs
Forum Replies Created
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[Dennis Hingsberg] “As far as I can tell this can not be changed in the COLOR panel but only on the clip setting in the media pool. “
No, you can edit exactly the same raw functions in the color page as in the media page.
Editor/Colorist, Amsterdam, The Netherlands
http://www.pepijnklijs.nl -
Hi Dennis,
I tried to imitate your problem on my machine at home and I actually ran into the same issues. I could try tomorrow on my workstation, which has the full version of resolve to see if it’s a ‘lite’ affiliated thing.
Anyway, I can edit my red settings in the media page, but as soon as I arrive in the color page those settings are gone, and when I come back to the media page they’re gone as well. I did something very obvious like taking out all the saturation to test this.
However, why don’t you just edit the raw settings in the color page? When you edit them there, they ‘stick’, and you basically have the same kind of control like in the media page. I can’t think of any reason why you would do the edit red settings in the media page, but maybe I’m missing something important related to your workflow.
EDIT/UPDATE: I discovered something strange. When I edit the red settings of just ONE clip in the media page I get the problem like I described above, but when I edit the red settings and ‘apply them to all selected shots’ and have MORE THAN ONE shot selected, it all works like it should work.
Editor/Colorist, Amsterdam, The Netherlands
http://www.pepijnklijs.nl -
Hi Dennis,
I tried to imitate your problem on my machine at home and I actually ran into the same issues. I could try tomorrow on my workstation, which has the full version of resolve to see if it’s a ‘lite’ affiliated thing.
Anyway, I can edit my red settings in the media page, but as soon as I arrive in the color page those settings are gone, and when I come back to the media page they’re gone as well. I did something very obvious like taking out all the saturation to test this.
However, why don’t you just edit the raw settings in the color page? When you edit them there, they ‘stick’, and you basically have the same kind of control like in the media page. I can’t think of any reason why you would do the edit red settings in the media page, but maybe I’m missing something important related to your workflow.
Editor/Colorist, Amsterdam, The Netherlands
http://www.pepijnklijs.nl -
No, actually you can continue with your transcoded sequence, edit again with ama media. When you’re finished you can transcode again and avid will only transcode the ama media. I do this all the time.
Editor/Colorist, Amsterdam, The Netherlands
http://www.pepijnklijs.nl -
Dennis, if you go to the project config page, select RED, what does your ‘raw’ settings look like? Can you take a screenshot and post it?
Editor/Colorist, Amsterdam, The Netherlands
http://www.pepijnklijs.nl -
try this:
select all the rd3 clips in the media page, rightclick and choose edit red codec settings. Go to decode using: clip. Then go to the downright corner of that window and click the little icon on the left (apply changes to selected clips). Should work…
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The bypass fuction will bypass the colorspace transform from RGB to XYZ, which you probably don’t want. Just give it a full range RGB file graded in rec709 and leave the default settings on.
Editor/Colorist, Amsterdam, The Netherlands
http://www.pepijnklijs.nl -
Wow, sounds frustrating. But thanks for sharing this, it could help others.
Wasn’t it possible to change the driver? maybe rollback to an older version?
Editor/Colorist, Amsterdam, The Netherlands
http://www.pepijnklijs.nl -
My guess is that you’re still in a ‘master timeline’ where the padlock cannot be altered. Got to conform page, create new timeline and have your dissolve fun in it!
Editor/Colorist, Amsterdam, The Netherlands
http://www.pepijnklijs.nl -
