I see this is still gone unanswered. I just realized how big the issue is tonight.
I have been working a lot with RED R3D files that have been exported through RED ALERT as PRORES422HQ files. I edit in FCP and then export as PRORES to AE. HUGE shift. This is totally unacceptable. I can’t believe either side of the equation (Apple or Adobe) hasn’t dealt with it yet. That shift is keeping us from effectively replacing a transfer house for final color correction.
Paul