For example: should the editor 1. work w/ the embedded scratch audio for the edit, 2. then sync the 8 tracks of audio (not sure the best way to sync after an edit), 3. Send to PT w/ synced multitrack audio
or
Should we 1. sync the 8 tracks of audio to every clip prior to editing 2. Edit (seems like it’d be clumsy moving around so much audio) 3. send to PT
or
1. edit w/ the rough mix 2. send to PT w/ no multitrack audio 3. Sync the multitrack audio in PT
None of these seem great; I’m hoping for a better way.