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  • I don’t have the information here at hand but there is an order of processing to take into account.
    So it’s possible to have what you think is a safe limiter and then make an adjustment downstream of that.
    I think that’s why a lot of folks grade and then add the safe color limiter on an upper track as a final check.

    Pat Horridge
    Technical Director, Trainer, Avid Certified Instructor
    Free online Tutorials at VET digital media academy online https://vimeo.com/channels/752951
    VET
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    T +44 (0)20 7505 4701 | F +44 (0)20 7505 4800 | E pat@vet.co.uk |
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  • Pat Horridge

    August 25, 2014 at 8:34 am in reply to: Interlaced and Progressive

    If you AMA then make sure using source settings that the clips are flagged correctly.
    In an interlaced project use field stepping to identify progressive or interlaced and if interlaced that the field order is correct.
    Then if you need progressive delivery switch the project to progressive.
    If importing then the project format must match the source.
    As long as the master clips are flagged right MC will add the correct motion adapters.
    It does matter that you have the project and therefore the sequence correct as any effects, speed changes, dissolves etc will be made based on the project type P or i

    Pat Horridge
    Technical Director, Trainer, Avid Certified Instructor
    Free online Tutorials at VET digital media academy online https://vimeo.com/channels/752951
    VET
    Production Editing Digital Media Design DVD
    T +44 (0)20 7505 4701 | F +44 (0)20 7505 4800 | E pat@vet.co.uk |
    http://www.vet.co.uk | Lux Building 2-4 Hoxton Square London N1 6US

  • The footage needs to be graded to be safe before you apply the safe color limiter. Using it as a hard clipper won’t look great. Also you need tbe 422 option ticked. And don’t forget very short transients over 235 are normally permitted.

    Pat Horridge
    Technical Director, Trainer, Avid Certified Instructor
    Free online Tutorials at VET digital media academy online https://vimeo.com/channels/752951
    VET
    Production Editing Digital Media Design DVD
    T +44 (0)20 7505 4701 | F +44 (0)20 7505 4800 | E pat@vet.co.uk |
    http://www.vet.co.uk | Lux Building 2-4 Hoxton Square London N1 6US

  • Pat Horridge

    August 20, 2014 at 12:20 pm in reply to: Relink MXF´s to Original Uncompressed MOV

    If you want to conform in Avid (the term for re-connecting a final timeline to higher quality sources) and you used the file import method to ingest then you will need to use batch import to bring back in the sources but this time select a higher Avid resolution.
    This is a slow process and you have to import all the media for each clip used.

    AMA linking he sources and transcoding to an Avid resolution makes for a much quicker conform as you can just re-link the sequence to the AMA linked sources.

    So it’s all down to how you ingested. It’s really imported when doing a real job first time on a system to plan the workflow and then actually test it. an hours work at the beginning testing workflows can save days at the end.

    Pat Horridge
    Technical Director, Trainer, Avid Certified Instructor
    Free online Tutorials at VET digital media academy online https://vimeo.com/channels/752951
    VET
    Production Editing Digital Media Design DVD
    T +44 (0)20 7505 4701 | F +44 (0)20 7505 4800 | E pat@vet.co.uk |
    http://www.vet.co.uk | Lux Building 2-4 Hoxton Square London N1 6US

  • Yes you can use AAF to move a sequence and move the MXF media over.
    But not all the effects will translate so it works better with simple edits.
    I’d normally provide a guide video mixdown and then remove any unsupported effects before the AAF export. The remake in PPro

    Pat Horridge
    Technical Director, Trainer, Avid Certified Instructor
    Free online Tutorials at VET digital media academy online https://vimeo.com/channels/752951
    VET
    Production Editing Digital Media Design DVD
    T +44 (0)20 7505 4701 | F +44 (0)20 7505 4800 | E pat@vet.co.uk |
    http://www.vet.co.uk | Lux Building 2-4 Hoxton Square London N1 6US

  • You can add subcaps within MC but a bit clunky

    Pat Horridge
    Technical Director, Trainer, Avid Certified Instructor
    Free online Tutorials at VET digital media academy online https://vimeo.com/channels/752951
    VET
    Production Editing Digital Media Design DVD
    T +44 (0)20 7505 4701 | F +44 (0)20 7505 4800 | E pat@vet.co.uk |
    http://www.vet.co.uk | Lux Building 2-4 Hoxton Square London N1 6US

  • You can’t do what you need. If you use the normal title tool to make titles you have to edit them individually. If you have lots of titles then the subcap effect has to be used from the beginning.
    So you either edit individually or start again with the subcap effect.

    Pat Horridge
    Technical Director, Trainer, Avid Certified Instructor
    Free online Tutorials at VET digital media academy online https://vimeo.com/channels/752951
    VET
    Production Editing Digital Media Design DVD
    T +44 (0)20 7505 4701 | F +44 (0)20 7505 4800 | E pat@vet.co.uk |
    http://www.vet.co.uk | Lux Building 2-4 Hoxton Square London N1 6US

  • Pat Horridge

    August 1, 2014 at 10:01 pm in reply to: Trouble renaming video tracks

    Not in front of an avid at the moment. But I think its the timeline fast menu bottom left. And default in there.

    Pat Horridge
    Technical Director, Trainer, Avid Certified Instructor
    Free online Tutorials at VET digital media academy online https://vimeo.com/channels/752951
    VET
    Production Editing Digital Media Design DVD
    T +44 (0)20 7505 4701 | F +44 (0)20 7505 4800 | E pat@vet.co.uk |
    http://www.vet.co.uk | Lux Building 2-4 Hoxton Square London N1 6US

  • Pat Horridge

    July 30, 2014 at 10:55 pm in reply to: Trouble renaming video tracks

    Sadly the track renaming was a bolt on addition that never really integrated properly so as you’ve found they don’t appear in all the correct places.
    As said best to keep the original track number and just add a descriptive addition.

    Pat Horridge
    Technical Director, Trainer, Avid Certified Instructor
    Free online Tutorials at VET digital media academy online https://vimeo.com/channels/752951
    VET
    Production Editing Digital Media Design DVD
    T +44 (0)20 7505 4701 | F +44 (0)20 7505 4800 | E pat@vet.co.uk |
    http://www.vet.co.uk | Lux Building 2-4 Hoxton Square London N1 6US

  • Pat Horridge

    July 30, 2014 at 8:49 pm in reply to: Media Composer V8.1 released

    Plus a slightly deeper review of the mute clips and disable tracks feature:

    https://vimeo.com/101510305

    Pat Horridge
    Technical Director, Trainer, Avid Certified Instructor
    Free online Tutorials at VET digital media academy online https://vimeo.com/channels/752951
    VET
    Production Editing Digital Media Design DVD
    T +44 (0)20 7505 4701 | F +44 (0)20 7505 4800 | E pat@vet.co.uk |
    http://www.vet.co.uk | Lux Building 2-4 Hoxton Square London N1 6US

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