[Tony West] “H.264 isn’t really the point. Frame IO can’t split tracks in ProRes either. They should be able to do either.”
When you say it ‘can’t split tracks,’ do you mean that split-track masters (like DME stereo stems) are muxed into mono or stereo when the client downloads the file from Frame? I would think Frame leaves the original untouched, but I haven’t tested it. I know 5.1 surround is OK.
[Tony West] “the platform is used by so many “high end” projects producers”
I think that’s more marketing than anything else. Depends on whether you mean for workflow or simply review & approval and/or delivery.
Personally I wish they’d simply clean up all of their UI and platform inconsistencies.
– Oliver
Oliver Peters – oliverpeters.com