Forum Replies Created

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  • Herb,

    Remember that you can always add it later. Also this is with FCPX. Hopefully the same (or similar) ProRes performance will be there in other apps.

    – Oliver

    Oliver Peters – oliverpeters.com

  • Real world example – AfterBurner and ProRes

    https://youtu.be/pvS7FHtm2BI

    – Oliver

    Oliver Peters – oliverpeters.com

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  • Oliver Peters

    December 18, 2019 at 12:35 am in reply to: Lumetri colour gone

    If this footage is from ARRI Alexa, then that’s been an ongoing problem with Premiere for a few years now. Basically it “forgets’ the embedded LUT. The simplest – though time-consuming – solution is to disable master clips effects for all footage. Then in your sequence, go clip-by-clip and apply the Arri LogC-to-Rec709 LUT for each clip in the Lumetri – Basic tab.

    – Oliver

    Oliver Peters – oliverpeters.com

  • [Eric Santiago] “My day job is mostly Adobe After Effects and the D700 is cutting it.”

    AE likes CPU over GPU plus RAM. More cores, less money for GPU. Opposite from editing or Resolve.

    – Oliver

    Oliver Peters – oliverpeters.com

  • Oliver Peters

    December 16, 2019 at 4:19 pm in reply to: What caption format produces DVD Subtitles?

    Try to find and test it on a regular, older DVD player, not a BluRay player and see if that works.

    – Oliver

    Oliver Peters – oliverpeters.com

  • Oliver Peters

    December 16, 2019 at 4:02 pm in reply to: Weirdest glitch to date….

    Back to the original question. Do you have any gaps or still images in this first scene that could affect timing?

    – Oliver

    Oliver Peters – oliverpeters.com

  • Oliver Peters

    December 16, 2019 at 3:58 pm in reply to: FCP 10.4.7 & .8 Performance

    I haven’t seen any decreased performance. OTOH, in general, the FCPX UI always seems less responsive to me than Premiere on the same machines. Not in how it deals with media, but more in the response time from clicking something until an action occurs. I’m still on Mojave (latest version).

    – Oliver

    Oliver Peters – oliverpeters.com

  • Ronny,

    What’s not totally clear from the article is how the two XDR displays are connected. Tonkin talks about one for UI and the other for video output. Is he doing that direct via TB3 out of the Mac Pro? The photos show Resolve, which can’t do that like FCPX can. So is the XDR for video being driven by the BMD hardware? Or both?

    – Oliver

    Oliver Peters – oliverpeters.com

  • [Bill Davis] “I doubt it will be the same as the IMac Pro monitors. From everything I’ve read, Apple pretty much re-imagined the Pro Display XDR from the light emitters out. “

    But the software color management will be the same. Remember that this is not an actual HDR display. It’s a P3 display with extended brightness range. So images will likely look right in FCPX, but probably not in other video apps. Probably even including QT Player. Not bad, just not accurate.

    There may also be a difference if you are judging the image inside a viewer pane within the software or if it’s an extended desktop display getting the fullscreen a/v output signal. That’s for those rich enough to buy at least two of these on a system 🙂

    – Oliver

    Oliver Peters – oliverpeters.com

  • [Andrew Kimery] “Things like the CALM Act (Commercial Advertisement Loudness Mitigation) wouldn’t be possible if we, as content creators, didn’t have an agreed up set of standards.”

    The trouble with standards is that everyone can have one. Witness the mess that is HDR.

    – Oliver

    Oliver Peters – oliverpeters.com

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