[Oleh Fedak]

I can post a link once I’ve finished mastering to see the problem firsteye, but as far as sharpness is concerned here at the moment, the clients eyes want to feel as if they’re driving by life size musical notes with the letters of the musicians names attached to them. Increasing the stroke of the musical measures really does make a difference – hopefully musical purism won’t come into play – and adding reduce interlace flicker/blur to the individual illustrator musical measure layer make it very acceptable, but not razor sharp.
Thank You Aharon

[Oleh Fedak]

Thank You for your help,
Blur and contrast attenuation do minimize the pulsating vibrating lines. Increasing the stroke of the thin lines as well as changing the speed of the flyby cam really do help to mask the limitations of NTSC video.
Best Wishes,
-oleh

[Oleh Fedak]

Thank You Aharon,
The 1 pixel size musical measures look great with a progressive eye and up close, but resonate and vibrate like plucked guitar strings through the ae 3d cam flyby eye. I ‘upped’ the stroke of the musical measures and added some, reduce interlace flicker and motion blur and it looks very acceptable. As I’m doing a series of these music sheet flyby opens with the letters of the names of the musicians affixed to the musical notes(all separate illustrator layers)- I’m asking if there’s a cleaner/sharper way to do this? I can’t get the same sharp, continuously rasterized look with the ae 3d cam moving across an exceptionally oversized tiff image.
Thank You Once Again for all your help,
-oleh

[Oleh Fedak]

Thanks Again Todd,
Looks like a combination of interlace flicker, motion blur and thanks to Aharon, going back and changing the pixel size/stroke of the musical measures makes it very acceptable, although I take a very big rendering hit by adding motion blur – we do what we must.
Thanks for all your help,
sincerely,
-oleh

[Oleh Fedak]

tried animation render; direct drop into dvd studio pro as an asset with slightly better results, but significant vibration/moire of the 5 thin lines that make up the musical staffs remains(illustrator file – continuously rasterized).
Thank You – deadline to master 1 day away

[Oleh Fedak]

Thanks Todd,
it’s a quicktime movie, lower first field render out of ae which is then dropped in as an asset in dvd studio pro. The vibration/moire pattern is most visible in the 5 lines that make up the musical staffs as the 3d cam travels along the notes(everything is an illustrator file continuously rasterized). I’m wondering if the vibration has been there all along, since the lines that make up the musical measures are so thin and spaced relatively close together and I’m making adjustments biased to the progressive scan of the computer display. Any help is GREATLY APPRECIATED as I’m down to 1 day to master.
Many Thanks

[Oleh Fedak]

Thank You,
I’ll give it a shot