[Odille Grouillard]

I don’t believe they were external proxies as they were created when I transcoded the .mxf files during the original import and FCP file on the hard drive was huge.

The orignal external hard drive is dead and I don’t remember how it was organized or named. The original media fine as we have several back up of those. I can relink the .mov files to the .mxf files but it creates these high contrast images when I transcode them.

Is my best bed to create new .mov external proxies and just relink them? Or is there a transcoding setting that stop the .mxf files from going high contrast when I relink then transcode them?

Thanks for your help, FCPX is a tad tricky.

Odille

[Odille Grouillard]

It was number one. Thank you so much!

[Odille Grouillard]

Thanks Dave!

[Odille Grouillard]

I gotta admit, it’s a weird request.

Won’t the screeching wav be an issue? And by “export an audio track” do you mean a separate one from the video?

Thanks Dave!

O

[Odille Grouillard]

Alright.
Thanks Dave!

[Odille Grouillard]

I’m fully embracing the clunky nature/general crappiness of the iPhone camera. I would just like to fix this one issue.
Has anyone had any luck with plugins like Duplicate Frame Remover?

[Odille Grouillard]

Hi Shane,

It’s hard to tell but it looks like there are repeated frames. I tried taking them out individually but it doesn’t look much better.
Is there any way to fix this?

[Odille Grouillard]

No need to apologise, David. You really helped me out.
Thanks again, this is great.

[Odille Grouillard]

Thanks David, this works great.
Just a quick follow up question:

The counter starts and 301 and ends at 215,000,000 but the frames in between, it jumps around to random number – 46,005,156 to 51,245,589,358 to 557,971,159,789 etc… – and not progressing in numerical order. Is there anyway around that?

Thanks,
OG