[Normann]

Hi,

interlaced images are not the problem.
Maybe your screen is darker than mine or your contrast is quite high. I gave some contrast to my jpg 1 – the background behind the guy shlould be black or at least unichrome:
https://www.totho.de/xena/xena2.jpg

see, what I mean? Usually (on the tape) it is without these lines.
normann

[Normann]

Thanks for answering – I hope my spelling is correct;)

I also thought that exporting each audio track (and sorting clips by category first) would be the only way to get on. But it is a bit stressful, that you allways have to go back to Premiere Pro when you need some handles for a clip. uff.
I don’t know what will hapen, when the studio, that makes our cinema-mix and dolby 5.1 blow-up needs some mor handles here and there… I hope they don’t.

Normann

[Normann]

Thanks for your reply,

first of all, this is not about doing audio for a clip… I’m searching for a resolution for audio mastering in audition of an 90 min. documentary, that was edited in PPro. You can imagine, that it would be quite time-stealing to export each audio clip (there are hundreds) and process them one by one.
Another aspect is, that it is not possible to correct the dissolves, volume for the whole film and trying effects, when you don’t have the other clips for reference…

This has nothing to do with microwaving – for everybody knows, that microwaved food isn’t that healthy;)

normann

[Normann]

Hi,
I have the same question, but I find it very strange, that no one seems to miss the feature of importing whole timelines for audio-finishing…

As Atfer Effets works fine with ppro projects, why can’t audition??

normann

[Normann]

Hi,

I have made several Tests with converting DigiBeta (analog outpu) Material through my Sony-HDV Camcorder to DV-Footage. It was always the same result: The picture was kind of blury and hard kontrasts suddenly showed some nasty shadows.
DigiBeta Material is extremely clear and brilliant – maybe that is why the difference to the dv-picture-quality is so remarkeble.

Well, if the Avermedia DVD EZMaker PCI card converts directly into huffyuv-codec, this could be a possibility – not knowing how Premiere Pro handles such files. do you know?

Normann

[Normann]

Well, actually HT is disabled. I did this a few weeks ago. But it did not change any thing.
It looks like I have to finish my project with these crashes and errors. But I am not quite sure how to export my work for PAL (PPro always returns an error after 1 – 2 min. of the movie). Unfortunatelly I need to insert serveral PAL clips and they come out better, when the aren’t blown up and down again. Further the downconverted titles look very “stairy” so I have to do them in PAL aswell… Very frustrating.

[Normann]

Hi mike, thanks.

Actually PPro only uses max. 55% of both CPU-power. So it wouldn’t slow it down a lot. What about hyperthreating? Does this should be disabled, because it simulates more CPUs?

I also noticed, that everytime a render-problem occures, the PPro memory usage in the task manager is somewhere around 1GB (975.000 – 1.020.000 KB). Could this mean something?

normann

[Normann]

Sure, could be SATA, but I won’t bet. My suspicion is, that it is a PPro thing… however – I would be glad if you could give me some feedback after your test (noermli(at)web.de, >next week< is a long time for a threat). Regards from Berlin.

[Normann]

Thanks for your answer Claus-Peter (Ich werd’ hier mal auf englisch schreiben, wegen der kompatibilit

[Normann]

Thanks for your reply!

So when I understand you correctly, everybody has this problem with HDV an PP and there is no solution? I mean an other solution than capturing short parts? I have about 13 hours of material containing some long interviews that dont’t need to be cut. How do the other editing programs handle HDV? Is there a better software for HDV-editing without this sound/video mismatch?

Normann