Noah Kadner
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Or with the clips… Try manually syncing in the multicam editor- not too hard.
Noah
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Apple refers to hardware by date of hardware revision, not manufacture. You can see this for yourself via Apple Menu>System Report.
Noah
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Yup you could greatly streamline your workflow-
https://www.atomos.com/cameras/canon-eos-c300-mark-ii
Noah
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Michael- what cameras are you shooting with? Uf you *know* you’re going ProRes from the start you should consider shooting ProRes either in-camera or with one of the many outboard and cheap ProRes recorders from ATOMOS/Blackmagic, etc. As compact as H.264 is as an acquisition/streaming format- it really sucks everywhere in-between.
Noah
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Yup- that’s because the iMac and MBP use newer Intel CPUs with an integrated H.264 hardware encoder (Intel QuickSync) that the Mac Pro’s older Xeon processor lacks.
Noah
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Then go for it. One thing to keep in mind is that though eGPUs technically work in High Sierra they are considered beta for the foreseeable future. So you will likely see a wide degree of gains/setbacks. I am excited about eGPUs as well but they are not quite there yet on MacOS.
Noah
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Sounds like you have a piece of audio in there that’s an unsupported or possibly corrupted format. Try doing a version without any audio files.
Noah
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Exactly- you are the batch renderer…
Noah
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It would be kind of a wash as TB2 sort of negates the gains you get with an eGPU. The GPUs in the 2013 Mac Pro are actually way advanced for their age so I would suggest waiting for the iMac Pro or whatever comes next in the Mac Pro line for the next big leap in performance.
Noah
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Not automatically no.
Noah
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