Whether transcoding is even necessary in FCPX depends on your system specs. If it’s an older system with slower drives, you’ll want to switch to proxy for editing or even go ahead and transcode to ProRes. The good news is that this is done very easily and you can start cutting the native while the transcodes happen in the background.
It’s a breeze compared to what this workflow was like 7. Of course you do have the learning curve of going from 7 to X but lots of resources are out there to help you make the leap.
Noah
FCPWORKS – FCPX Workflow
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