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  • FCPX or Premiere for GH4 4K

    Posted by Nayeli Garci-crespo on August 21, 2014 at 12:01 am

    Hi everyone,

    We’ve just purchased GH4s and are trying to decide whether to switch to FCP X or to Premiere from FCP 7 (so hard to let go!).

    Does anyone have experience editing 4K footage in a 1080 sequence in FCP X that could tell me how smoothly it plays back? All things being equal (processors, RAM, etc.), is there any difference in ability to handle native files between FCP X and Premiere… at 1080P? At 4K?

    We need a quick turnaround as we do mostly web videos and would like to edit the GH4 4K footage in a 1080 timeline for quick resizing and zoom-ins.

    Thanks,
    Nayeli

    Juliet Zhu replied 10 years, 5 months ago 13 Members · 33 Replies
  • 33 Replies
  • Noah Kadner

    August 21, 2014 at 12:05 am

    Well this is the FCPX forum- sooo. I’ve cut GH4 footage in FCPX- it’s rock solid for me. Especially if you have decent system specs.

    Noah

    FCPWORKS – FCPX Workflow
    Call Box Training

  • Ty Vann

    August 21, 2014 at 1:01 am

    GH4 4K original camera .mov files on FCPX and rMBP no problem whatsoever.

  • David Cherniack

    August 21, 2014 at 1:08 am

    Works fine natively in Premiere with a decent machine at 4k. I prefer to transcode because the long GOP makes speed viewing material not quite as butter smooth as iframe.

    David
    https://AllinOneFilms.com

  • Nayeli Garci-crespo

    August 21, 2014 at 1:10 am

    Ah, thanks… that’s the next question I was going to ask… performance of all-intra vs. the lower bit rate 1080 on both. Thanks!

    -Nayeli

  • Nayeli Garci-crespo

    August 21, 2014 at 1:10 am

    Good news, thanks!

    -Nayeli

  • Nayeli Garci-crespo

    August 21, 2014 at 1:12 am

    Thanks! What about 1080… any difference between the all-intra H264 and the lower bit rate options?

    -Nayeli

  • Nicholas Zimmerman

    August 21, 2014 at 1:54 am

    A beautiful part of the FCPX workflow is that you can generate ProRes files within the application while editing the h.264 until the transcode is finished. ProRes will beat h.264 for editing no matter what NLE is used due to h.264’s aforementioned long GOP structure.

    ________________________________________

    NickZimmerman.net

    Certified in FCPX, Logic Pro X, & Motion 5
    ________________________________________

  • Craig Seeman

    August 21, 2014 at 5:25 am

    It’s possible to have all I Frame (no IBP GOP) H.264. Panasonic AVC Intra is an example. I believe that’s one of the options for recording in the GH4.

  • Nicholas Zimmerman

    August 21, 2014 at 6:00 am

    Only in 1080p from what I saw, the 4k is a more vanilla h.264. Apparently the All-I 1080p is pretty high quality though, the reviews I read raved about it.

    https://www.eoshd.com/content/11934/panasonic-gh4-preview

    ________________________________________

    NickZimmerman.net

    Certified in FCPX, Logic Pro X, & Motion 5
    ________________________________________

  • Craig Seeman

    August 21, 2014 at 12:56 pm

    Yes, from what I understand only 1080 is Intra.

    BTW I use Blackmagic (BMPCC) and considering the 4K. This is one of the reasons I’d choose the BMP4K because its cDNG or ProRes flavors at 4K and not 8 bit H.264 GOP. Of course the GH4 does have a lot of nice features going for it and the outputs can get you 10bit 422.

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