[Morten Raarup]

sorry but that isn’t rigth. Raw is the clean data of the sensor. That is somethin between 12 an 22 MB depending of the camera. That is per frame and you need 24-30 per sec.Remember that dlsr have bigger sensors pixelvice that Alexa and the sensor are 14 bit not 8 or 10 bit. That has nothing to do whit h264 or cleen 8 bit 422.

Morten Raarup
On Off Line
Copenhagen, Denmark

Sony F3 whit Angenieux Optimo DP 16-42 & 30-80
Canon 5D kit whit Sounddevice 702T
AVID MC 5.5
FCP 7 & X
DaVinci Resolve 8
Pro Tools 9

[Morten Raarup]

A normal raw filae are about 20 MB you need 24-30 a sec. that 480-600 MB per sec or 1,7 – 2,1 TB per hour.

Morten Raarup
On Off Line
Copenhagen, Denmark

Sony F3 whit Angenieux Optimo DP 16-42 & 30-80
Canon 5D kit whit Sounddevice 702T
AVID MC 5.5
FCP 7 & X
DaVinci Resolve 8
Pro Tools 9

[Morten Raarup]

Thanks, it was also my guess. But the file size was so small compared with color projects so I was afraid there was something hidden somewhere else.

Morten Raarup
On Off Line
Copenhagen, Denmark

Sony PDW-F800, AVID Symphony Nitris, FCP 7

[Morten Raarup]

You are very welcome!

Morten Raarup
On Off Line
Copenhagen, Denmark

Sony PDW-F800, AVID Symphony Nitris, FCP 7

[Morten Raarup]

Hej Claus

You will also need a 70-200 f2.8 (IS is nice) I use 24-70 most of the time, but 70 mm is often to small to clouse ups. I also have 35 mm. and 85 primelense f. 1.4 but is slow to change lenses if you also uses a followfocus. And the 70-200 so to heavy its needs extra support.

Morten Raarup
On Off Line
Copenhagen, Denmark

Sony PDW-F800, AVID Symphony Nitris, FCP 7

[Morten Raarup]

Hi Rick

Thanks for your post.
I would like to read more about it. But when tried to find a book on amazon all I could find was kids drawingbooks.
Do You know any book titels.

Morten Raarup
On Off Line
Copenhagen, Denmark

Sony PDW-F800, AVID Symphony Nitris, FCP 7

[Morten Raarup]

Hi John

I glad you like working whit light.

In Denmark are the power in most houses an offices 220V and 10A – 2200W. So the 2500W would blow the fuse. Whit 1800 W I have a little left for fill, even if I only have access to one phase.

Morten Raarup
On Off Line
Copenhagen, Denmark

Sony PDW-F800, AVID Symphony Nitris, FCP 7

[Morten Raarup]

Todd and Rick – thanks for your input. It was very help full. I just ordered the HMI today and decided to go whit this one:

https://www.arri.de/lighting/europe_asia_australia_africa/daylight_lampheads/arri_daylight_1800w/as18.html

as it seemed to be the most versatile option.

🙂 Morten

Morten Raarup
On Off Line
Copenhagen, Denmark

Sony PDW-F800, AVID Symphony Nitris, FCP 7

[Morten Raarup]

Todd, Dedolights beam are very sharp, do you think it’s to sharp to work whit your setup?

Morten Raarup
On Off Line
Copenhagen, Denmark

Sony PDW-F800, AVID Symphony Nitris, FCP 7

[Morten Raarup]

Todd – Thanks a lot for your drawing and pictures. I looks like a setup that could help me i many of my shoots. I think I will go for the fresnel version.

Morten

Morten Raarup
On Off Line
Copenhagen, Denmark

Sony PDW-F800, AVID Symphony Nitris, FCP 7