Forum Replies Created

  • You would think at some point I would learn my lesson! This might be a dumb question, but my brain already hurts…Is there an algorithm I can rely on when fixing each clip?

    EX: For every second of clip move the clip on the timeline forward or backwards X Frames?

    Also, because it’s a documentary, there are alot of photos with a ton of motion/movements. Will these be out of whack when pasting to the correct FPS?

    Thanks again for the help!

  • Great. Thanks for the advice on this. And just so I’m doing this step right, just copy everything inside my current sequence, create another sequence with the correct FPS, and then paste everything inside of it?

  • Mike Rakoff

    February 15, 2013 at 6:22 pm in reply to: Lost FCP project file

    Hi Mark,

    Yeah, so no potential recovery. I believe this is from a few years ago and her editor has either deleted the file or lost the drive it was on.

    I believe MPEG will do the trick. Thanks again!

    -Mike

  • Mike Rakoff

    February 15, 2013 at 6:18 pm in reply to: Best Codec for large screen

    Okay, thanks Shane! BTW does that also include going from ProRess422 to ProRes422 (HQ) or 4444?

  • Mike Rakoff

    February 13, 2013 at 12:33 am in reply to: Best Codec for large screen

    Hi shane,

    Sorry I didn’t specify. I have already re-encoded from Pro Res back to H264 for youtube.

    Though my question is, if I should use a different codec for film festivals now, which will no doubt be screening this on a large screen?

    Basically, can I and/or should I upgrade my workflow from prores422 to another codec? One more suitable good quality once the file is enlarged?

    Thanks,
    Mike

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