Mike Kelland
Forum Replies Created
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Hi Pete,
I’ve had this exact same issue for ages, and posted about it before with no luck. It’s a bug – Premiere lets you slip by sub-frame amounts but then undoes the slip as soon as you move the clip on the timeline. Hugely frustrating as it used to work properly in the past. I’m on 2015.4 too – I downloaded the new Pr version onto my laptop and it has the same bug too. Would be great if someone from Adobe can chime in here.
Cheers,
Mike
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I think it’s the same issue – I’m battling with colour differences when max bit depth is enabled and disabled in combination with viewing with Open CL on and off (yellow bar above or red bar above). When I enable max bit depth the image goes more magenta.
There’s a definite bug in there – the colour should be the same between settings. It makes colour correcting a nightmare, i.e which is the real colour??
nMP 2013 D700
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Thanks Jeff, will try putting a razor blade on to see if it locks it in – but, to be clear, I’m trying to slip the audio a sub-frame amount, not nudge a sub-frame amount.
It lets you slip the audio (if it’s a sync clip it will display -0.4350 on the clip for example, if you’ve slipped it that much in that direction), you return to frame view and it’s still slipped by the amount you want. But when you move that clip by any amount of frames on the timeline, the sound and it’s waveform reverts back to where it was before you’ve slipped it.My workaround in the meantime is right click and send to Audition which kind of locks it in. Creates more audio files though…
Cheers,
Mike
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Hi Dave,
Not after a lesson in best practice with audio file sample rates etc – this isn’t my first rodeo. Yes I am ‘picky’, nearest frame for audio is not close enough – which is why Pr allows Audio Time Units in the first place!
I’m wanting to know if the feature of Premiere Pro CC being able to slip audio by sub frame amounts is broken or not.
Cheers,
Mike
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It’s a bug – I’m seeing exactly the same thing with my Wacom since upgrading to 2015.4.
Really frustrating!
Cheers,
Mike
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I tried a colleague’s flat LG and didn’t like it, so bought a curved one and love it. I don’t think of it being curved, it just looks ‘right’… The flat one looks distorted when you look at it due to perspective – it’s a pretty wide setup. Hope that helps.
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As an update: I’ve just updated to 2015.3 via a complete clean install of my system. It’s fixed a whole host of things – Cross dissolves now seem to be identical with linear color enabled and disabled. I park on the last viewable frame before black and there is no difference in opacity toggling between the settings. A dissolve to black now appears to be smooth… maybe they have fixed the issue…?
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If the sequence is set to ‘composite in linear color’ then the dissolves are pretty awful – my work around has been to turn that setting off or use bezier keyframes, which like you say is a pain. They really need to fix this issue.
Cheers,
Mike
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I keep all eps inside one project. I then make sure I delete old versions of sequences to keep the project size down so it loads faster etc. Transcode all avchd and h.264 to ProRes for way faster load time and better stability.
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Open the installer and on the first window you’ll see a folder called ‘test clips’. They’re in there 🙂