[Mike Kahn]

Don’t forget about a Kona 3 or Blackmagic card to get the media out to the JH3.

Mike

[Mike Kahn]

I just purchased this:
https://store.mcetech.com/Merchant2/merchant.mvc?Screen=PROD&Product_Code=DVDR22XDT-D&Category_Code=STORDVDRW&Product_Count=2
It’s $3 more but 22x instead of 20x. I think as long as it says it works in your mac it’ll be fine.

Mike

[Mike Kahn]

This is what I think I am going to do.

[Mike Kahn]

“Make sure to choose full range and not SMPTE.”

Where do I choose this?

[Mike Kahn]

I’ll give it a try, thanks so much for your help everyone.

[Mike Kahn]

Sorry, you were right. Exporting a self contained quicktime does not change the levels. So now I have an uncompressed 10 bit, self contained file. Any way to make this into an Avid usable file as well without clipping the blacks?

[Mike Kahn]

I captured 10-bit uncompressed and my sequence is 10bit uncompressed. I used the 10 bit uncompressed easy set up.

[Mike Kahn]

Thanks, I haven’t tried After Effects yet.

[Mike Kahn]

I haven’t even placed the logo, the first thing is to get the file output correctly. Using the FCP bars doesn’t work because it doesn’t have blacks that go below 0.

[Mike Kahn]

By the way, the bars I am using are SMPTE RP 219 digitized from an HDCAM SR tape which when I look at the sequence I have made on scopes (outside scopes, not FCP) are going out correctly. This is only happening on exports.