Forum Replies Created

Page 191 of 277
  • Mike Clasby

    July 24, 2006 at 5:13 pm in reply to: Page Peel in AE 6.5

    The CC Plugins are a seperate installation off the AE CD, under “Cycore”, or maybe you have the Educational version (that is CC-less).

    Here’s a more complicated, but more elegant Page Turning Comp at NY Visual:

    https://www.nyc-visual.com/movies_2.html

    From his earlier Post, the movie and aep download:

    Name: Serge
    Date: Mar 3, 2004 at 19:29 gmt
    Subject: Re: Flipping Pages Effect

    Hi,
    Here is a movie:
    https://www.nyc-visual.com/3d_book.mov
    Here is a project:
    https://www.nyc-visual.com/Book_3D.sit

    Have fun.
    Salut

  • Mike Clasby

    July 24, 2006 at 6:25 am in reply to: slide show ability of after effects

    After Effects Slide Shows by Andrew Kramer:

    https://forums.creativecow.net/articles/kramer_andrew/slideshows/slideshow.htm

    Also actions in PhotoShop for getting a uniform size for the photos you use.

  • Mike Clasby

    July 24, 2006 at 6:01 am in reply to: Help with Morphing

    After Effects can do some morphing, not bad if the pics have a similar shapes:

    Morphing In After Effects by Chris Zwar

    https://forums.creativecow.net/cgi-bin/new_page_wrapper.cgi?forumid=2&page=https://www.creativecow.net/articles/zwar_chris/morph/index.html

  • Mike Clasby

    July 24, 2006 at 5:49 am in reply to: DanEbberts confetti expression Question

    Glad you solved it. Your new expression seems to work well.

  • Mike Clasby

    July 24, 2006 at 5:49 am in reply to: DanEbberts confetti expression Question

    Glad you solved it. Your new expression seems to work well.

  • Mike Clasby

    July 24, 2006 at 5:34 am in reply to: Isolating an object from saturization…

    Andrew Kramer has a tut for blemish removal, but the methods can isolate diffent color areas of the screen to apply effects to that area alone. Is that what you want?

    https://forums.creativecow.net/cgi-bin/new_page_wrapper.cgi?forumid=2&page=https://www.creativecow.net/articles/kramer_andrew/blemish_removal/index.html

    He uses an Adjustment Layer as a Luma Matte on a duplicate of the clip to apply effects to certain parts of the screen (colors). If your “moving and multi-colored object” is distinct from the background it will work. Don’t worry Andrew walks you through it step by step.

    Note: Beware Golf Jokes. (you’ll understand when you watch the vid)

    Or even simpler, maybe you want Roland R. Kahlenberg’s “Two or Three Color” Tut:

    https://forums.creativecow.net/cgi-bin/new_page_wrapper.cgi?forumid=2&page=https://www.creativecow.net/articles/kahlenberg_roland/coolsville/index.html

  • Mike Clasby

    July 24, 2006 at 5:15 am in reply to: DanEbberts confetti expression Question

    I’m not quite sure what you’re trying for. Is it that you don’t want the confetti layer to disapper while still on the screen? If so just lengthen the “life”, to something like 5 (highlight the 1.2 in dan expression and change it to 5)and for a standard NTSC 720×480 comp each confetti “particle” falls all the way down past the bottom of the screen before disappearing, in this case off-screen. With a long enough life (5 for a 480 pixel high comp) the particle won’t disappear while still onscreen.

  • Mike Clasby

    July 24, 2006 at 5:15 am in reply to: DanEbberts confetti expression Question

    I’m not quite sure what you’re trying for. Is it that you don’t want the confetti layer to disapper while still on the screen? If so just lengthen the “life”, to something like 5 (highlight the 1.2 in dan expression and change it to 5)and for a standard NTSC 720×480 comp each confetti “particle” falls all the way down past the bottom of the screen before disappearing, in this case off-screen. With a long enough life (5 for a 480 pixel high comp) the particle won’t disappear while still onscreen.

  • Mike Clasby

    July 23, 2006 at 10:26 pm in reply to: Multiple Clips, same look…

    Methinks you can.

    Linking Expressions from one Comp to the Master Comp (therefore only properties with Stop watches), then change the Master and it changes the Slaves.

    Setup your Master Comp the way you want.

    Dup it, then grab the tab of Master 2, pulling it up and away to make a second timeline.
    Now if you use Effect>Text>Basic Text (Yeah, this might be the deal breaker because I don’t know if there’s a stopwatch for AE’s latest new Text Tool and I find it a bit of a pain to have to select the text I want to change the font /size,etc for then make changes in the Character Palette… maybe there’s an easier way, but you still need a stopwatch to link the expressions, so… that’s why I’m using the Effect>Text Effects).

    Anyway Alt click the Fill Color on the Master 2, then pickwhip it to the Fill Color in the Master layer. Do the same for Size (font size in the Basic Text Effect), and any other property you want to ripple from the Master through the Slaves (Master 2, in this setup).

    So now if you make the changes in the Master, it’s reflected in Master 2. Hey it even works without both comps being open (as I guess it should).

    So dup the Dup as many times as you want for as many instances as you want. It might be a good idea to change the name of Master 2 to “Slave”, to limit confusion, then Dups of the Dup will be Slave2, Slave 3, etc.

    And, if you want to change something in say Slave 47 to be different from the Master, just disable the expression and change away. Like I said you should be able to do this for anything that has a stopwatch, so transforms (animation – size, rotation,opacity…) and Shine is a go (if it’s in the Master).

    It would take a little setting up, but worth the effort if I’m understanding what you want.

  • Mike Clasby

    July 23, 2006 at 10:26 pm in reply to: Multiple Clips, same look…

    Methinks you can.

    Linking Expressions from one Comp to the Master Comp (therefore only properties with Stop watches), then change the Master and it changes the Slaves.

    Setup your Master Comp the way you want.

    Dup it, then grab the tab of Master 2, pulling it up and away to make a second timeline.
    Now if you use Effect>Text>Basic Text (Yeah, this might be the deal breaker because I don’t know if there’s a stopwatch for AE’s latest new Text Tool and I find it a bit of a pain to have to select the text I want to change the font /size,etc for then make changes in the Character Palette… maybe there’s an easier way, but you still need a stopwatch to link the expressions, so… that’s why I’m using the Effect>Text Effects).

    Anyway Alt click the Fill Color on the Master 2, then pickwhip it to the Fill Color in the Master layer. Do the same for Size (font size in the Basic Text Effect), and any other property you want to ripple from the Master through the Slaves (Master 2, in this setup).

    So now if you make the changes in the Master, it’s reflected in Master 2. Hey it even works without both comps being open (as I guess it should).

    So dup the Dup as many times as you want for as many instances as you want. It might be a good idea to change the name of Master 2 to “Slave”, to limit confusion, then Dups of the Dup will be Slave2, Slave 3, etc.

    And, if you want to change something in say Slave 47 to be different from the Master, just disable the expression and change away. Like I said you should be able to do this for anything that has a stopwatch, so transforms (animation – size, rotation,opacity…) and Shine is a go (if it’s in the Master).

    It would take a little setting up, but worth the effort if I’m understanding what you want.

Page 191 of 277

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