[Mikaela Shwer]

thanks for the insight, the person that set it up synced the h264 to the audio and batch exported, so we were trying to find a work around. i think we’ll just work with pro res 422 and save the worry on a short turn around of the up res later.

[Mikaela Shwer]

Hi Shane, I watched the tutorial you suggested for online/offline with apple pro res proxy (which we are using) to 422. We are doing a small film, all on laptops and drives and so I don’t think the log and transfer option will work for us – we have been doing it through MPEG Streamclip. What is the option to up-res then since we can’t log and transfer through the media manager way in this tutorial? Or once we are done, should we download that plugin and do the up-res on a larger system?

[Mikaela Shwer]

Hi George, did you ever find a solution? I am having the same issue and it’s really hindering our edit process.

[Mikaela Shwer]

See above, please let me know if you have any ideas or if there is any step that we could have done incorrectly…

[Mikaela Shwer]

We merged the clips in the browser. We sorted the video and audio tracks by media start..found a correct in point and merged clips. The issue is very inconsistent. In the project we created them in, the stringout of clips matches back to all source (2 camera audio tracks and say six external channels). If I then copy this sequence, even with all clips into another project, and match frame again, it shows me only 2 channels when I match frame and still other times, it shows 6 channels – only external audio. We have trashed prefs, checked auto select, played around with new projects, sequences, clip bins in and out of project, nothing is yielding a consistent answer….