Firewire is voodoo? That could make sense because my colleague ended up resorting to a blackmagic card to capture this same footage during an earlier incarnation of the same project.
What does this say then about the firewire revolution?
As a general aside, looking at the associated mad confusion of posts about HD and HDV acquisition and post-production systems, I’m pessimistic about being able to make clear-sighted decisions on formats and cameras to use.
Returning to my predicament, I’m cutting the footage in a 60fps environment. Once I finish my offline, is there any way I can output the film at 25fps? Short of following the 2-3 pattern and cutting out the duplicated frames, I guess not.
Thanks again
Mickey