FilmScribe was designed for film based workflows where lists are created that required going back to a workprint or a film negative for cuts and effects that were supported by whatever technology was introduced over the years. One thing it did not support was the concept of nested effects as its myriad of relationships to other layers was not well defined with the nest to be laid out for a film VFX process. Limitations were put into place to ensure successful and accurate lists. For example, even though the film Se7en was not edited on Media Composer, its opening title sequence was. I was at Pacific Title (when it existed) and he showed be the multilayer optical list generated and how it only took him one pass to create on a their very high end optical printing machine.
But aside from a walk down memory lane, As digital technologies overtook film (still being used though, but in a different process), Avid’s interest in updating FilmScribe for functionality waned to other than supporting OS and major bug fixes. An example of that is if editing via linked (AMA), the entire list is an optical. Which it is not.
With 8.3, the embedded EDL Manager and FilmScribe into the application – there are advantages and disadvantages to that depending on where you are in the workflow, but one good thing is that at least both tools got some TLC as part of the process. EDL Manager got most of the love, but hopefully the “cutlist” tool will evolve to being as useful it was for film based acquisition for all digital workflows. Just because it is shot on an Alexa does not mean you don’t need a change list. 🙂
These issues have been brought up in the beta process – when and what is up to Avid. For now you got what you got as far as functionality.
Michael