Michael Phillips
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COW Coin
Forum Replies Created
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When you have the FIND window up, click the last tab (Settings) and you can turn it off there.
Michael
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That’s true, thanks for the reminder.
Michael
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Good to know, thanks. I got lucky with this one.
Michael
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Assuming sources are 4K, they can make ProRes 4K and you can AMA to that, and do a relink conform based on Source File name. That way you have the resolution to work with for punch-ins after the color correction process. If they are making Avid MXF/DNxHD, then 1920×1080 is as high as it will get.
Michael
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Perhaps, but it was for my kid to play off his thumbdrive at school. Wanted to make it as playable as I could. And for dialog only… eh.
🙂
Michael
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It is available in all of Adobe CC apps that I have on my system for export. Here is what the file looks like when opened on OS X using MediaInfo:
Michael
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Just purchased a license and installed ProRes only on my Windows system. VC3 is the SMPTE name for DNxHD and using the term DNxHD needs to be licensed, but that is another matter. The same reason that it is called “Miraizon Pro Res” in the export settings.
But that being said, I exported several flavors of Miraizon ProRes as 422, 444, LT, etc. It may be my system as it was not the fastest encode, but all cores were active but never more than 40%.
Also, some applications can see it, and other not at this time. AS long as the application uses the MoviePlayer codec selection it is available. I tested with MPEG Streamclip, Redcine X Pro, QT Pro, and Media Composer, and was able to create the files. I was not able to export using DaVinci Resolve as it does not see the codec. That is something I will bring up with them.
All in all, naming aside, it’s a ProRes file and it’s nice being able to create such a file on Windows and worth the $49.
Michael
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I don’t see why they need to offer a Mac version of either codec or a Windows version of DNxHD, but it is nice to have ProRes encoding on Windows. Are you an actual user and you’ve had no issues?
Michael
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The source monitor always displays all tracks when loaded. In this scenario your sources all have 4 tacks but only two seem to have anything recorded on them. This is common with many cameras in the field. There are two ways to deal with it:
1. Subclip just active tracks. This can be done manually one by one or via an ALE merge.
2. Use unlink/modify/relink on master clips as described in my blog here:https://24p.com/wordpress/?p=50
Michael
