Michael Phillips
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COW Coin
Forum Replies Created
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Can you crate new user settings and try again?
Michael
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From Avid.com FAQ:
Q: What happens to all of the other software that came bundled with Media Composer, such as Avid FX, Avid DVD, Sorenson Squeeze, and Boris Continuum Complete? Are they available with any of these licensing options?
A: While many partner plug-ins and applications are available as “lite” versions included in Avid’s subscription offerings, full perpetual licenses for Sorenson Squeeze, iZotope Insight, and NewBlue Titler Pro v2 are available as part of the Avid Production Pack or available for individual purchase through the Avid Marketplace. Please note that since DVD production requirements have not changed in many years, Avid DVD is no longer been developed or sold.
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Even thought the scratch tracks are still there, have you tried editing the entire clip on the timeline, and before editing, switch the audio to the audio only track? Does that work for you?
Group clipping could use the track removal concept of AutoSync as part of its process.
Michael
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I understand what you want to do, but you are not telling my what you have in your bin in either the TAPE column or the SOURCE FILE column.
Did you start with AMA or not? When in Resolve did you only color correct or did you do any editing whatsoever? Are you conforming original camera clips or linking to the Avid MXF files for color correction? Are you correcting individual clips or a mixdown of the sequence? This information helps in defining a workflow that will work.
If there was NO editing done whatsoever in Resolve and only correction applied to the clips or events in the timeline, the easiest method is to transcode to your DNxHD resolution on the deliver page (typically with some handles applied) and back on the edit page, highlight the sequence/timeline and export AAF from there. NOT A NEW AAF, but the same AAF. This process updates all the new media links but leaves the sequence and all its effects alone. But this only works if there were no changes to anything in the timeline other than color correction. Move the transcoded media to the Avid MediaFiles/MXF structure in a number folder. No need to import mob file, just import the AAF exported and it will relink.
If you did do editorial changes, then transcode with handles, import the msmMMOB.mdb file like you did. But we are back to making sure that the proper REEL ID’s have been assigned, especially if you conformed to camera originals. Once you import the msmMMOB.mdb file, display the TAPE column and make sure that the values on each clip is what you expect them to be, and are the same as what was used on the clips in the sequence you are trying to link to. Once you can confirm this to us, we can take it to the next step.
Or if you want, Scott Freeman did a rather detailed guide to roundtrip conform. These steps may help in your situation.
https://library.creativecow.net/freeman_scott/AVID-Framerate-Metadata/1
Michael
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Love the show as well. You can get a tilt/shift in Avid via Red Giant Looks.Also, Titles and end credits are usually designed by a graphics and effects team and dropped in a elements so it may have been done in a different system altogether.
Michael
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MetaFuze can’t change the TAPE name associated with the file that was already created. Can you tell us what it should be and what it is now in the bin?
Michael
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When you look at the newly created clips from Resolve in the bin, and in the “Tape” column, does it display what you are expecting?
The value in “Tape” is defined by “REEL” in Resolve which is set by “assist conform by” in the settings.
Michael
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Are you seeing only one partition and the bigger one is not mounting?
Michael
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I agree as to the goals of the presentation, at first I thought it as about an official move to Premiere but ended up being a step in that direction to show increased performance and feature set with the least amount of disruption. PPro seems to have become that safe ground where either FPC or MC editors move to, and there is less of a bulk transition from FCP to MC.
Michael
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It looks more to be an event hosted by ITV and Adobe than a corporate meeting announcing a change of platform and workflow. Not saying it may not eventually go that way, but it seemed to be a nicely done presentation of Adobe in a digital pipeline, the ability for third parties to build solution to integrate via the Adobe panel, and integration of Adobe products pertinent to video content creation.
As far as AS-11, I don’t see much difference in Adobe’s versus Media Composer’s export processes.
Something to keep an eye on to see what happens next. I an see some program groups or divisions making a change to ensure a smooth transition to whatever NLE they choose to use.
Michael