It was shot on 35, then telecined to beta and digitized to FCP on 29.97 frame rate. Then it was reversed telecined on cinema tools to 24p and also was conformed to 23.98. We cannot do reverse telecine to 23.98 in cinema tools. it only allows for real 24p and not the puuldown version. So right now we’re trying to figure out the best way to confrom it to 23.98 without getting this jitter. any advice?