Forum Replies Created

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  • Hi Shane,

    Thanks for the prompt reply.

    Yes, you’re absolutely right – but he wants software so he can certain clips or check the levels coming in or whatever.

    I believe there are lots of options for PC, but not sure about for Mac.

    W

  • Max Frank

    January 27, 2012 at 9:38 am in reply to: Green Screen on 60D- Picture Profile?

    Peter,

    Thanks a lot, good to know.

    Wayne

  • Max Frank

    January 23, 2012 at 8:39 am in reply to: What causes AME to hang?

    Hi Jim,

    Did you ever get an answer for this, or find a solution. I’m having the exact same problem and it’s killing me!!!!!

    Tx.

    Wayne

  • Max Frank

    January 17, 2012 at 10:13 pm in reply to: Scratch on lens

    Thanks, Colin.

    Will check it out,

    Wayne

  • Max Frank

    December 27, 2011 at 10:24 am in reply to: IS needed for 28mm-75mm lens???

    Ok, tx

  • Max Frank

    December 27, 2011 at 8:25 am in reply to: IS needed for 28mm-75mm lens???

    Hi Bob,

    The 28-135 isn’t a constant aperture [AFIK], is that what you use?

    W

  • Max Frank

    December 22, 2011 at 8:38 am in reply to: Quick Question

    Alex,

    Thanks for answering! Really appreciate it!

    This REALLY boggles the mind!?!?!?!

    There are a great many things I find awesome about Premiere Pro, but the more I work with it,
    the more I find myself having to use pathetic workarounds like this for simple and obvious tasks.

    VERY frustrating!

    Wayne

  • Max Frank

    December 20, 2011 at 7:41 pm in reply to: Audio Track FUBAR?

    @Tim, you may be right, but with all due respect, I have to tell you that Premiere isn’t just a ‘different complex system’ – there are a great many ‘features’ [that I consider bugs] that will trip up
    users by there sheer impracticality.

    The whole audio scenario is a perfect example. Adobe may have had a good reason for
    locking tracks as stereo or mono, as well as limiting the audio mixer to Track Only operation, but for the life of me, I can think what that ‘good reason’ is.
    In the end, all is does is force the user to work AROUND the hobbled settings – and often, one is forced to work in an unintuitive way.
    [There are other similar issues I can list, but won’t right now].

    I’ve been working with Premiere Pro for the last 3 weeks and have found the system so awesome on one hand [Mercury Engine, etc] – and so utterly lacking on the other.

    I am hopeful that CS6 will see many of these issues corrected – I applaud Adobe for listening to their user’s concerns.

    Thanks,

    Wayne

  • Max Frank

    December 20, 2011 at 3:55 pm in reply to: Audio Track FUBAR?

    PS – Richard Harrington has a good book to get you started on Premiere Pro.

    There is a Kindle version you can download to your Mac or PC so you can search the document,

    W

  • Max Frank

    December 20, 2011 at 3:45 pm in reply to: Audio Track FUBAR?

    Hi Bruce,

    I, too, was flummoxed by Premiere Pro’s ridiculous audio methodology, and this helped me out a lot:https://vimeo.com/28888756

    Wayne

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