Yeah, that is a work around, but one of the reason we’re using lapel’s and not a nice boom is to try and eliminate the background noise (some interviews taking place in odd, uncontrollable locations) so it’s not something we wanted to do really.
So I think it’s now that I learn that we need more money, more crew and better kit! If we had a field mixer, will it have a built in limiter that would stop this peaking?
We have a really good post house lined up to do the sound mix/design, and I want to give them the best quality possible. Any other tips and work arounds most welcome!
Cheers for your valuable input,
Matt