[Matt Mullen]

Can you post or e-mail me a screen shot of the error you get ” “Unable to connect to Apple ProIO uncompressed. Final Cut Pro is currently connected to the specified output device.” ”

My e-mail is mattm@borisfx.com

[Matt Mullen]

Hey guys,

1.0.2 fixes the missing timecode issues with P2 Media.

[Matt Mullen]

Ok I don’t have this specific hardware to test but here is what we can look at to try and narrow down the issue.

You said it is working in Red as a standalone…what are the Monitor settings in Red standalone, make sure the settings with Red in Final Cut match what is working with Red standalone.

The error seems to indicate the hardware is having an issue with Final Cut and Red accessing the hardware at the same time so I’ll try to research that for you.

One last thing. How are you applying Red in Final cut? Generator? Static? or Filter?

-Matt

[Matt Mullen]

Joe,

What AJA hardware and driver version are you using.

In the Preview Tab of the Red preferences what are your external monitor settings.

Then in the Red preview drop down menu do you have External monitor connected and Auto-Update Monitor checked? If you still get nothing what happens if you choose “display frame to monitor” ?

Also what are you using for a monitor and how is it connected.

[Matt Mullen]

Yes.

[Matt Mullen]

Yes Joe I updated my post. I was able to get it to work here, there is no need to freak out.

If it still does not work after the upgrade you need to triple check and post your settings for us to look at. Also the exact hardware and driver you are using.

[Matt Mullen]

Joe,

I was able to get this to work with the latest version of Red.

First, In the preferences on the Preview Tab make sure the device and mode for the monitor output settings are correct.

Then under the Preview Menu select Connect External Monitor but also make sure you select Auto-Update Monitor.

Let me know if this helps you.

[Matt Mullen]

Hey Jim,

A couple questions. Mac or PC? Are you using AVX 1.5 or 2 effects? Are you using advanced keyframing?

The following is if you are using advanced keyframing:

You have several options for copying and pasting advanced keyframe parameters. You can:

• Copy and paste selected keyframes in a single parameter.

• Copy and paste selected keyframes in more than one parameter.

The selected keyframes can be in graphs or on tracks (that is, the graphs that contain the selected keyframes can be open or closed). If the selected keyframes are offset from one another, the pasted keyframes preserve the offset.

• Copy and paste all graph values at a specific position.

This option is available both in the position bar of the Effect Preview monitor and in the keyframe graphs in the Effect Editor.

For this option, there does not have to be a keyframe in any parameter at the location you are copying from. Your Avid editing application takes all the parameter values at the copying location and uses them to create new keyframes (or replace existing ones) at the pasting location.

-To copy and paste an advanced keyframe in a single keyframe graph or track:

1. Click the keyframe you want to copy.

2. Select Edit > Copy, or press Ctrl+C (Windows) or Command+C (Macintosh).

3. Do one of the following:

– Move the position indicator to the location where you want to paste.
– Click a keyframe to select it.
– Ctrl+click (Windows) or Shift+click (Macintosh) multiple keyframes to select them.

4. Select Edit > Paste, or press Ctrl+V (Windows) or Command+V (Macintosh).

The parameters from the keyframe that you copied are pasted to the keyframes you selected, or a new keyframe using the parameters that you copied is created at the location of the position indicator.

-To copy and paste multiple selected advanced keyframes:

1. Ctrl+click (Windows) or Shift+click (Macintosh) multiple keyframes to select them.

You can select multiple keyframes within a single parameter or across
severalparameters.

2. Select Edit > Copy, or press Ctrl+C (Windows) or Command+C (Macintosh).

3. Do one of the following:
– Move the position indicator to the location where you want to paste.
– Click a keyframe to select it and move the position indicator to that location.

4. Select Edit > Paste, or press Ctrl+V (Windows) or Command+V (Macintosh).

The keyframes that you copied are pasted to the location you selected. When the keyframes you copied are offset from one another, the leftmost of the copied keyframes is pasted at the location you selected and the other keyframes are pasted in locations that
preserve the original offset.

– To copy and paste all parameter values at a position:
1. Do one of the following, either in the position bar below the Effect Preview monitor, or in the keyframe graphs in the Effect Editor:

– Move the position indicator to the location from which you want to copy values.

– Click a keyframe at the location from which you want to copy values.

2. Do one of the following:

– If you are working in the position bar of the Effect Preview monitor, select Edit > Copy, or press Ctrl+C (Windows) or Command+C (Macintosh).

– If you are working in the keyframe graphs in the Effect Editor, right-click in the graph area and select Copy All Values at Position, or press Ctrl+Alt+C (Windows)or Command+Option+C (Macintosh).

3. Do one of the following:
– Move the position indicator to the location where you want to paste values.

– Click a keyframe to select it and move the position indicator to the location where you want to paste values.

4. Select Edit > Paste, or press Ctrl+V (Windows) or Command+V (Macintosh).

New keyframes are created at the pasting location, or existing keyframes are modified.

As a result of this procedure, every keyframe graph in the effect has a keyframe at the pasting location with its parameter value set to the value for that parameter at the copying location.

[Matt Mullen]

Joe,

I’ll try to reproduce this first thing tomorrow.

[Matt Mullen]

Joe,

Are you choosing “Connect to External Monitor” under the preview menu in RED?

-Matt