Forum Replies Created

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  • Martin Stacey

    June 7, 2012 at 5:46 pm in reply to: Rendering a 32bit project to an 8Bit codec

    yeah seems weird. it does happen with the other channels too.

    yeah that’s what i’ve started doing. but then i might as well comp 8 bit. not sure the 32bit is giving me much more if i can’t output it!

    cheers thou

  • Martin Stacey

    June 7, 2012 at 3:09 pm in reply to: Rendering a 32bit project to an 8Bit codec

    here’s the 32 bit comp
    4260_32bit.aep.zip

  • Martin Stacey

    June 7, 2012 at 2:55 pm in reply to: Rendering a 32bit project to an 8Bit codec

    do you have cs5.5? i could upload the project?

  • Martin Stacey

    June 7, 2012 at 10:26 am in reply to: Rendering a 32bit project to an 8Bit codec

    Yep, i’m using 32bit linear, srgb workflow.
    this is what it looks like in AE:

    and this is what an 8 bit render looks like:

    any ideas?

  • Martin Stacey

    June 6, 2012 at 2:42 pm in reply to: Exporting/converting 32-bit video

    hmm, i still can’t get it to render what it looks like in AE from a 32bit comp to an 8bit codec. it clips everything to 0 and 1. surely there’s a way to map the over brights into an 8 bit codec?

  • Martin Stacey

    December 9, 2011 at 11:33 am in reply to: 8bit ram previews of 32bit project

    Hi, sorry for the late reply, but it seemed to be fixed in AE CS5. there was a new setting in the ‘previews’ preference. you need to change colour management quality to more accurate.

  • Martin Stacey

    February 5, 2011 at 11:49 am in reply to: assign color profile to quicktime

    Yeah, at the moment you can add a profile to your quicktime using automator. you get 3 to choose from, SD, PAL, and HD.
    when i use HD my after effects cs5 prores 444 movie looks correct in quicktime (HORRAH!) but hilariously (not) final cut doesn’t recognize this, so it’s still wrong in that. well done apple!
    one day……

    here’s a link on how to add the profile:
    https://support.apple.com/kb/ht3712
    it’s right down the bottom.

  • Martin Stacey

    December 16, 2010 at 10:44 am in reply to: color mangement and grading

    Ah thanks, that’s really helpful! i’m getting there!
    So if you were to use a LUT for colour correction/grading, in theory this would be like using an adjustment layer with curves on it in AE? it’s basically the same thing going on, except LUTs are a universal system that can be used in more than one program, yes?

  • Martin Stacey

    December 15, 2010 at 11:09 pm in reply to: color mangement and grading

    Yeah, i think i get it.
    I am right in thinking, it would be better if after effects used LUTs instead of ICC profiles? or are ICC profiles just LUTs? what’s the difference?
    And if so, can i use the profile that my calibration device created in Color? I’ve found a way to do it in NUKE, but it seemed very elaborate.

  • Martin Stacey

    December 15, 2010 at 10:39 pm in reply to: color mangement and grading

    Right, so would be people always be using custom LUTs with Color and Nuke?
    I’m still not really sure i understand a LUT. is it simular to an adjustment layer with curves on it?
    so they would have one made for their monitor?
    Sorry, also are you saying that AE’s colour management isn’t good, cause it burns in the look?

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