Forum Replies Created

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  • Mark Raudonis

    November 13, 2010 at 10:45 pm in reply to: Pilot production costs

    Mark,

    I normally agree with most of what you say, but on this (SD vs HD) I think you’re wrong. To start ANY project in SD (even your kid’s birthday party YouTube video) is just plain wrong. HD is here to stay, and
    there is NO GOOD REASON to originate a new project in SD. Period.

    Mark

  • Mark Raudonis

    November 13, 2010 at 7:20 pm in reply to: crash

    What’s your point of whining here?

    Fact: You did NOT follow “best practices” of data protection. You’re now trying to blame Apple or some
    “teacher” for your own mistakes. If you want to call yourself a “filmmaker” then the responsibility is on YOUR shoulders to seek out and find the best information available for what you’re trying to accomplish.

    Don’t start pointing fingers at others. If you want the glory of being a “director”, accept the responsibility for EVERYTHING… that includes what went wrong.

    Consider this a “learning experience”.

    Mark

  • Mark Raudonis

    November 13, 2010 at 7:14 pm in reply to: need to make Blu-ray for big screen screening ASAP

    Johnny,

    I would NEVER consider playing back directly from your computer for an audience screening! There’s just too much that can go wrong. Making a BLU Ray is really the way to go here.

    If you don’t know how to do it, PAY someone to do it for you. Do you really want to spend your premiere
    night up in the projection booth trying to figure out what went wrong?

    Mark

  • Mark Raudonis

    November 12, 2010 at 6:02 pm in reply to: ProRes Multicamera Editing Advice

    [Steve Price] “I’ve been told ProRes doesn’t hold the source timecode. Is this true?”

    Not true… unless you screw something up!

    mark

  • Mark Raudonis

    November 11, 2010 at 9:42 pm in reply to: Can I send timecode to digibeta deck from FCP?

    no. A timecode signal does NOT go OUT of FCP.

    I’m guessing from your question that you’re trying to place matching sequence TIME CODE onto a tape.
    There are plenty of standard workflows that accomplish this.

    mark

  • Mark Raudonis

    October 29, 2010 at 1:51 pm in reply to: Connecting a Mac Pro to two networks

    Yes this is possible.

    X-SAN systems in general ALWAYS are accessing two separate networks. As you noted, they even have TWO ethernet ports built in.

    You really need to speak to someone who understands network protocols to set this up. Your external ethernet switches have to be set up correctly to make this work.

    Whether a simple ethernet setup will be “beefy” enough for your needs really depends on your expectations. Move files around? Sure. Move big chunks of media? Maybe. Share storage for editing? Probably not. Do your homework on this. It’s MUCH more complicated than you think.

    Mark

  • Mark Raudonis

    October 28, 2010 at 12:43 am in reply to: apple cinema display alternative

    Try: Dell UltraSHarp U2410. Very capable replacement for the cinema display.

    mark

  • Mark Raudonis

    October 22, 2010 at 2:54 pm in reply to: Need a Final Cut consultant immediately

    [stefan springman] “we require immediate assistance, naturally haha!”

    You’ve made it through preproduction, production, most of post-production and now… oops! Help!

    You’re my new poster child for “planing ahead”.

    mark

  • Shane,

    Stop trying to scare him! Using FCP in a shared storage environment really isn’t that difficult.

    Yes, it takes some discipline to keep things straight, but even on an Avid you need to organize your media into logical bins. The only difference with FCP is that those “bins” are file folders at the finder level, NOT in a single project. Imagine that your entire SAN is the project! This is similar to how Interplay approaches media organization. Your “project organization” is maintained using the basic Mac finder level. It’s really that simple. Everyone has access to the same media at the same time.

    Sequences (timelines) are passed around using projects. With some minimal attention to a naming system, it’s quite easy to keep track of the current cut.

    When Shane says, “I’m not saying it’s impossible”… the implication is that it’s difficult. In my opinion, it’s NOT THAT DIFFICULT! Period. In fact, the larger the team, the larger the media pool, I’d argue that FCP in a shared storage environment makes it EASIER!!!

    Do a search. There’s been plenty written about this.

    Mark

  • Mark Raudonis

    October 17, 2010 at 4:02 pm in reply to: LTO backup

    Kevin,

    You need to do your homework and research a setup that makes sense for your workflow.

    To answer your question: LTO backup can work for what you’re suggesting, but it really depends on your expectations, requirements and BUDGET. How much TIME can you afford to restore a project? That’s the biggest factor affecting cost. Can’t wait? You’re gonna pay. Willing to spend a day restoring a 15 terabyte project? It will be cheaper.

    If you’re buying today, I’d focus on LTO5 only. Quantum makes a wide range of systems from small to enterprise class.

    Good luck.

    Mark

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