Thanks Matt. I have actually read that article and followed those instructions. It was a day’s work bringing all the audio back to the timeline with Match Frame and also it was unnerving doing so much in the timeline after picture-lock, increasing the chance that something could go wrong. But it worked pretty well during the edit.
I will take your advice and get used to working with so many tracks. I hate the technical side of editing and just want to dive in (obviously with colorists and sound in mind).
It’s a shame you can’t ‘collapse’ a set of tracks so that it appears as one on the timeline. Oh well.
Thanks for your reply!