[Lola Popovac]

Thank you for your response! Much appreciated.

Update:
For the camera rolls that had the original ALE files– I did end up re-syncing the dailies… making new bins/subclips and then YES, it they did relink to the consolidated Sequence. You’re right, relinking worked. And you don’t have to “hide” the old consolidated media with an “x” if you highlight the desired new media/ old sequence in the bin. Or say, “only link to current project.” (I had to keep some the OMF media online/”un-hiden” for audio/stock footage reasons.)

As for the camera rolls that did not have ALE files… then I did the same, but have to make sure the tape name is created exactly like the tape names were created for the original OMF media. (Have to “show reference clips” in the bin settings to find the exact tape name.)

The problem still remains that these non-ALE rolls are lacking KN info. I can play though the tapes, find where the rolls stop and start (with great difficulty), log them as master clips, and then digitize, and then manually type in the KN info based on the window burn for each master clip… but as there are hundreds of rolls… this is time prohibitive… I just feel like there has to be a better way.

Like, at least, it’d be nice to digitize in the whole tape, and then sub-clip into the rolls… but unfortunately the Avid doesn’t let you modify the key code on a sub-clip. So I’m still searching. Maybe there is a way to export my “subclip bin” as an ALE and it back in as “master clip” bin or something?

Thank you for your help. _L