[Liz Parham]

Thanks for the response, Dave. We’ve used ProRes422 for all of our footage. Do you recommend doing this in After Effects or is there a different program I should try? I’ve heard some things about Mocha. Just trying to keep down costs so we don’t have to send it to a post house.

[Liz Parham]

I’m not the original editor, so I’m not sure why they are different and especially if it was filmed with the same camera throughout the production. I compared clip/log/sequence settings and all of them match except some are Apple ProRes while others are Apple ProRes(HQ). I’m not sure if that would make that much of a difference…

[Liz Parham]

okay, thanks for your help. Everything worked fine with the Zoom/Rode, but when listening to the audio on Final Cut I have to raise the level up to 12 db in the timeline to hear it loud enough on my computer. It sounds good, just not sure if this is normal.

I set the zoom to Mono Mix with levels at about 75, and that’s about as far as my audio knowledge will take me.

[Liz Parham]

Thanks for clarifying, do you recommend just using the zoom on the boom and not with the rode? I have a clamp to attach the zoom on the pole if that would minimize any interference.